Monday, 8 December 2014

1994: SHAKEDOWN Advert (Doctor Who/ Blake's 7/ Dreamwatch Magazine)


From October 1994: a full-page advert from DREAMWATCH MAGAZINE for their direct-to-video (via a convention... which the magazine also hosted) science fiction drama SHAKEDOWN.

"General release" in this instance, of course, meant you could order the tape.

I think I've talked about this one-off before.  It's not great but it's a nice addition to the margins of the DOCTOR WHO universe (the Sontarans and the Rutans reprise their ongoing battle for supremacy... this time on board a space yacht that looks suspiciously like the innards of a WWII era battleship.  

The cast is an interesting combination of familiar faces from DOCTOR WHO and BLAKE'S SEVEN, although I doubt that anyone would claim they did their best work here.  The revealing behind-the-scenes documentary (which, I believe, was initially released as a separate tape) suggests that the tightly-scheduled shoot was somewhat fraught. 

Terrence Dicks adapted his own script, and added the Seventh Doctor, for the Virgin New Adventures range of novels.

Saturday, 6 December 2014

1981: DAN DARE: PILOT OF THE FUTURE and the DAN DARE TV SHOW



From 1981: a softback collection of old DAN DARE strips (possibly derived from the old annuals and specials... can anyone confirm or deny?) published by Hamlyn.

I think this was, quite possibly, my first exposure to the Pilot of the Future.  Even through I only acquired a copy decades later.  I remember seeing this in Chelmsford's branch of WH Smith and being suitably fascinated.  I was too young to have read the DD strips that had appeared a few years earlier in 2000AD (finally due to be reprinted next year... hurrah!) but I may have already have heard of the character thanks to the appearance of the (ultimately unrealized) Dare "car" as an upcoming release in a Corgi toy car catalog (the continuity of events is more than a little blurred at this point).

All this activity was because ATV were actively developing a TV version of the character and early licensing deals were being signed.  The TV version never happened, presumably parttly down to costs and viability but also, I'd guess, because of the behind-the-scenes changes at the ITV broadcaster.  

ATV's parent company ACC had taken a considerable financial kicking (insert reference to RAISE THE TITANIC and "lowering the Atlantic" here) in its attempts to expand into film making (there were plenty of flops but THE MUPPET MOVIE was a hit).  ATV's ITC subsidiary had all-but-abandoned TV series (after amassing a huge, and perennially lucrative, back catalog over several decades) in favor of film.  But film making had drained the company's coffers and forced out boss Lord Grade as the company struggled to find fresh backing.  

ATV itself, a mainstay of the ITV network since the 1950s, was also going through radical change that was not of its own making.  The broadcaster had originally held broadcast franchises in London and the Midlands and had made the former Neptune film studios in Elstree (just north of London) their main hub for TV production (ITC's shot-on-film series tended to be based either at the nearby Elstree or MGM film studios or at Pinewood) with another base in Birmingham.  

However, it the franchise realignment of the late sixties, ATV had lost their London license in exchange for a seven-day contract in the Midlands.  But production had stayed in Elstree.  This, along with the film operation and great success at flogging product to the US market, left the perception that management were far less interested in servicing their own UK region.  

The enforced solution was that ATV would have to divest itself of the Elstree centre (it was briefly mooted as a potential base for ITV's new breakfast television service, but TV-am won the franchise battle instead, and eventually sold to the BBC to house EastEnders) and build a new production base in Nottingham.  They were also forced to change their name (to Central Independent Television) and their shareholding (ACC bowed out altogether, taking the bulk of the ATV programme archive with them, in favor of remaining in the film business).

The unrealized prospect of the ATV adaptation also forced the 1982-launched EAGLE to create a new DAN, the great grandson of the original, rather than revive the original.  The subsequent revelation that the original had been a WWII flying ace inadvertently transported through time by the Treens (oh the irony) was also apparently concocted to tie-into the TV show. 

1992: STAN LEE PLUGS MARVEL UK in BULLPEN BULLETINS (Marvel Comics)


From late 1992: Stan "The Man" Lee turns his monthly plug machine to selling the wares of MARVEL UK across the US Marvel line.  

Marvel's output was growing so fast (and, some may argue, indiscriminately) during this period that securing such a lengthy bit of hard sell in BULLPEN BULLETINS must have been quite an achievement.  However, it's unlikely that Stan, firmly ensconced on the West Coast trying to convince someone (anyone!) to produce movies and TV shows based on the Marvel pantheon, ever actually read any of the British books.  

There a few titles there that must have been changed before the books went ahead: Team Helix (possibly published as Genetix), Death Rattle and Gene Machine.  Night Raven (or Nightraven according to Stan) presumably refers to the second edition of the House of Cards graphic novel (which I've covered in previous posts). 

1993: DARK ANGEL: AFTERMATH (Marvel UK)



The fallout from the Mys-Tech Wars: a (very nineties) double-page spread from MARVEL UK's DARK ANGEL issue 12, July 1993. 

Friday, 5 December 2014

1993: KNIGHTS OF PENDRAGON House Ad (Marvel UK)


From January 1993: A MARVEL UK House Ad for the retooled KNIGHTS OF PENDRAGON (already ready retooled once for their 'Genesis 92' launch... and rebooted again within the year) ongoing book.

You can imagine the edict that led to this Alan Davis makeover: "Sales are bad... we need to make this look more like a superhero book!".  But I don't think this is anyone's finest hour.

The reboot had come, two months earlier, with the sixth issue.  This ad reuses the cover art from the eighth issue.  The title eventually clocked-up fifteen issues (three issues less than the 1990-91 run) before succumbing to the house clearing of the Genesis Implosion of late 1993. 

The Knights were one of the initial "Overkill Five" strips designed for publication on both sides of the Atlantic.  However, they were soon dropped from the UK fortnightly and only continued to appear in the US edition. 

1979: SPIDER-MAN STRIKES BACK and SPIDER-MAN: THE DRAGON'S CHALLENGE VHS COVERS


From the tail-end of the VHS era: the sleeves for the two original SPIDER-MAN sequels: SPIDER-MAN STRIKES BACK and SPIDER-MAN: THE DRAGON'S CHALLENGE.  

These were re-released to capitalize on the first 'proper' SPIDER-MAN movie, presumably (like almost every move The Asylum makes) in the hopes that an unwitting punter would think these bargain-priced releases were the new movie.  I don't think they would be so impressed when they got home and saw the Seventies TV Spidey in all his low-fi glory.

These were double-length episodes of the CBS series (The Deadly Dust and The Chinese Web respectively) retitled and released in overseas markets, including the UK, as full theatrical films in the late Seventies (delaying the UK premiere of the actual series until 1981, four years after the Pilot first aired in the States).  THE DRAGON'S CHALLENGE, the finale of the TV series, was almost certainly shot with a theatrical release in mind as it benefits greatly from extensive location filming in Hong Kong.  Highly unusual for a US series.  

Exact release dates are hard to come by but the first film had two runs in UK cinemas (March and October or thereabouts) in 1978 so I imagine that these two followed in 1979 and (possibly) 1980. 

None of the three movies have ever been officially released in the DVD era.  Columbia, the rights holders, are part of Sony and (presumably) they don't want old product competing with their new series of feature films.  It's also possible that their rights don't extend to digital media.  It's a shame as these were ubiquitous during the tape era... and hard-to-find today.  

1992: EPI-LOG JOURNAL Issue 1


From March/ April 1992: The Irwin Allen-centric first issue of EPI-LOG JOURNAL MAGAZINE.

This companion to the main title focused on articles and analysis rather than the (occasionally annotated) episode guides that appeared in EPI-LOG itself.  

Pre-internet (or, more accurately, before most people had access to it), these were both invaluable reference titles... especially when they covered shows that otherwise would remain overlooked. 

There was something of a resurgence in Allen's work during this period thanks to repeats on Channel Four in the UK, the new LOST IN SPACE comic book from Innovation (which started out with a little bit too much T&A but soon settled down to be an enjoyable update) and even the odd VHS release (which never progressed very far).  

Thursday, 4 December 2014

1985: JUDGE DREDD US MONTHLY UK House Ad (IPC)


From January 1985: An IPC House Ad for the fifteenth issue of the imported JUDGE DREDD US monthly which, by this point, was distributed through newsagents and branches of WH Smith.  

The publisher, Eagle Comics, was a joint-venture between IPC and Titan Books. 

1978: STAR WARS WEEKLY House Ad/ SPIDER-MAN MOVIE (Marvel UK)


From 15 March 1978: A MARVEL UK House Ad for the sixth issue of STAR WARS WEEKLY (with art from the third US issue) as well as a plug for the impending British cinema release of the SPIDER-MAN TV pilot.  

If you've ever seen the premiere episode, you'll know that (in addition to being generally underwhelming) it also suffers from some remarkably bad effects work (notably some crappy CSO/ Blue Screen work) which must have looked incredibly poor magnified on the big screen. 

The show didn't reach British TV until late 1981.

1993: DEATH-WRECK and DEATH METAL House Ad (Marvel UK)


From November 1993: A MARVEL UK House Ad promoting two DEATH'S HEAD II spin-off/ knock-off books... DEATH-WRECK and DEATH METAL.  

I remember thinking at the time that things must be pretty desperate if they were cloning DHII and spinning-off more books... and that this couldn't last.  It turns out I was right.

The books themselves aren't bad but, by this point, Death's Head II was so over-exposed that we needed a bit of a rest... not two more similar characters.  Especially, as was often the case with the Genesis Books, there's always the sense that someone came up with the names first and then crafted a book and character around the title.  

Simon Furman created the original DEATH'S HEAD but had been shoved aside by the previous year's revamp.  

Both of these series ran for the designated four issues... which makes them amongst the last of the M-UK line to appear before the Genesis Massacre hit.  

Neither of these strips appeared in the UK line.  

The adds themselves are in the late-Genesis House Style of bizarre captions.  Presumably the top one is a dig at the Image guys.... naming no names. 
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