For the last few years STARLOGGED has been trying to untangle the history of the British Bullpen and now, at last, here is a done-in-one, almost complete guide to ever regular title they published. Omitted are the annuals and many of the specials (it gets very hard, after the mid-eighties, to pull together an acute guide) but, nevertheless, this still represents probably the most comprehensive guides currently published in print or online.
Corrections and updates gratefully received.
THE MIGHTY WORLD
OF MARVEL was the first official British Marvel comic. Launched in October 1972, the weekly
initially reprinted Hulk, Spider-man and the Fantastic Four. The long-running Hulk was trumpeted as
“Marvel’s TV sensation” from August 1978.
The mergers were: The Avengers and Conan (199, 21 July 1976); Planet of
the Apes (231, 2 March 1977); Dracula Lives (247, 22 June 1977); Fury (258, 1
September 1977) and The Complete Fantastic Four (298, 14 June 1978).
Although the bulk of the production work was handled by the New York office, the (small) British Bullpen was officially housed in London's High Holborn.
Although the bulk of the production work was handled by the New York office, the (small) British Bullpen was officially housed in London's High Holborn.
Spider-man moved out of MWOM and into his own weekly (SPIDER-MAN COMICS WEEKLY for the first 157 issues) early in the following year. Thor was the first (of many) back-up strip, joined by Iron Man from 50 onwards. It ultimately ran for 666 issues through to the middle of the following decade.
THE AVENGERS was
Marvel UK’s third launch, and the first to appear in the soon-to-be-standard
36-page/ glossy cover format. It became
well known for its not quite compatible back-ups including Doctor Strange, Iron
Fist, Masters of Kung Fu and Conan. Marvel New York launched the ongoing MARVEL TREASURY EDITION publishing programme in 1974 and copies of the tabloid-sized specials were imported, beginning with The Spectacular Spider-man (and followed by the Hulk, Conan, Doctor Strange, Howard the Duck, Seasonal specials and others), with the US price switched for the British equivilant (initially 40p for 100 colour pages) and heavily plugged in the UK weeklies.
Another highlight was the two late 1977 STAR WARS volumes, splitting the movie adaptation down the middle, that reached the UK months before the London Christmas premiere of the film itself. 
PLANET OF THE APES weekly, launched in October 1974, coincided with the UK TX of the live-action TV show. The strips and features came from the US magazine. Mismatched back-up strips included Ka-zar, Conan, Black Panther and – post-merger – Dracula and Man-Thing. The infamous Ape Slayer (reworked Killraven pages) was the unique solution to a deadline crunch. POTA ran for 123 and then continued, for a few months, in MWOM.
DRACULA LIVES, reprinting Tomb of Dracula and other Seventies scare-fare, also launched in October 1974. The cult favorite notched-up 87 issues before (improbably) merging with POTA (although Man-Thing was the post-merger strip to survive). Dracula returned, following the end of POTA, in the pages of MWOM.
THE SUPER-HEROES
weekly, launched in March 1975, reprinted the Silver Surfer and the X-Men. Latter line-up changes included Doc Savage
(pegged to the movie release), Giant Man, The Cat, the Scarecrow, Marvel
Two-in-One and Bloodstone. Its demise,
after fifty issues, triggered Spider-man’s switch to the Titans format to
accommodate the merger.
THE SAVAGE SWORD
OF CONAN was Marvel UK’s first out-and-out flop. The weekly reprints from the colour monthly
ended after only eighteen issues, although they enjoyed a long subsequent run
in The Avengers, MWOM and several other weeklies. The title was revived, with great success, a
few years later.
THE TITANS (October 1975) was a bold, but ultimately unsuccessful, experiment by Marvel UK that lasted for fifty-eight issues (and continued in Spider-man’s weekly). The innovation was to publish landscape for mat that allowed two US pages to be placed side-by-side, doubling the usual contents of a weekly. The format also demanded new covers, splash pages and posters. The strips included Inhumans, Captain America, Nick Fury, Sub-Mariner, X-Men, Fantastic Four, Ghost Rider and the Avengers. The fundamental flaw was that the format devoured Marvel’s inventory at an unprecedented, and unsustainable, rate.
October 1975 also saw London play host to two significant Marvel UK events: The I.C.A (Institute Contemporary Arts) on the Mall mounted an exhibition of original art between the 18th and the 31st. Monday 20 October saw Stan Lee in town to host a night at Camden's Roundhouse. Tickets: 60p each.
The Spider-man
weekly became SUPER SPIDER-MAN WITH THE SUPER-HEROES from issue 158 (21
February 1976), adopting the Titans landscape format to accommodate the
additional strip pages. The masthead
continued through to issue 198.
US copies of the historic SPIDER-MAN/ SUPERMAN crossover were imported from the States (August 1976) and promoted in the weeklies.
CAPTAIN BRITAIN (launched in October 1976) cemented Marvel’s commitment to the UK: not only creating a brand-new (albeit derivative) character but also (initially) publishing it in colour. Stan Lee toured the UK as part of the launch campaign. High costs, low sales and no immediate US home for the new material forced Marvel to drop the colour after twenty-three weeks. Cancellation came after thirty-nine issues although the new strips continued, for a while, in Spider-man. Fantastic Four and S.H.I.E.L.D were the back-up strips. CB was merchandised with a pin badge, puzzles and an annual.
The end of The Titans led to another name change for Spider-man. Between issues 199 (1 December 1976) and 230 (the following July) it appeared as SUPER SPIDER-MAN AND THE TITANS. The landscape format was dropped after issue 228.
FURY, launched in March 1977, was Marvel UK’s blatant me-too war weekly. Edited by Neil Tennant, it shamelessly aped the Warlord/ Battle formula but the all-reprint interiors were no match for its rivals. It merged with MWOM after twenty-five issues.
SUPER SPIDER-MAN
AND CAPTAIN BRITAIN began in July 1977 (issue 231 of the ongoing Spider-weekly)
and continued through to issue 253 (after which the CB strips were dropped) in
December.
THE COMPLETE
FANTASTIC FOUR, launched in September 1977, finally saw Marvel’s first family
graduate to their own UK weekly. The
cover-to-cover reprints were unsustainable and the title ended after
thirty-seven issues, returning the strip to MWOM.
RAMPAGE weekly,
launched in October 1977, was home to the Defenders (including the Hulk) and
Nova. It ran for only thirty-four weeks
but immediately bounced back, with greater success, as a monthly.
Marvel UK’s
revival of THE SAVAGE SWORD OF CONAN THE BARBARIAN, this time as a monthly, in
November 1977 was an unsung success for the Annex of Ideas. The second volume, which drew on the US Conan
range, eventually ran for 93 issues. Its
longevity (which looked in doubt in 1981 when a merger with Savage Action
seemed on the cards) was helped by the two movies and the boom in fantasy
fare. The merger of MWOM (issue 85) must
rank as one of the most uncomfortable in M-UK’s history. 
SUPER SPIDER-MAN
issue 254 (21 December 1977) was the first issue for several years not to share
the masthead with a recently cancelled companion. The stability continued for fifty-seven
issues until the Marvel Revolution of early 1979. By this point, the price had risen from 5p
(1974) to 10p (1979) a copy.
TALES OF TERROR
was one of several black & white monthlies, reprinting material from the US
horror magazines, launched in 1978.
Portman Distribution who, apparently, acquired the rights independently
of Marvel UK issued them. Incoming boss
Dez Skinn objected to having to compete with Marvel product from a competitor
(although he subsequently made no efforts to publish anything similar) and
ordered the deal terminated. Five
issues, all featuring The Living Zombie reprinted from Tales of the Zombie,
appeared. 
CASTLE OF
HORROR, another of the 1978 Portman horror reprints, reprinted material from
Haunt of Horror and Vampire Tales. It
ran for five issues.
DEMON was
another of Portman’s British reprints form Marvel’s US horror line.
JOURNEY INTO
NIGHTMARE was the fourth of the Portman/ Marvel horror magazines. Like the others, it drew heavily on Monsters
Unleashed.
STAR WARS
WEEKLY, launched February 1978, reprinted the US movie tie-in (and occasional
extra deadline busters) as well as other SF fare including Tales of the
Watcher, Unknown Worlds of Science Fiction, Star-Lord, Guardians of the Galaxy,
Warlock, Captain Marvel, Micronauts, Deathlok and others. Marvel also published the one-shot magazine STAR WARS OFFICIAL COLLECTORS EDITION. 
STARBURST
MAGAZINE launched in 1978 to coincide with the debut of Star Wars and
burgeoning interest in the genre.
Originally published independently by Dez Skinn, it became a Marvel
magazine later in the year when he was appointed the new boss of the British
Bullpen. The forth issue (with,
appropriately, the TV Hulk on the cover) was the first under the new
owners. Marvel sold it, to Visual
Imagination in late 1985. Issue 87 was
the last to be published by the Annex of Ideas. 
RAMPAGE MONTHLY, launched in July 1978, was initially a vehicle for the Hulk strips from the US Rampaging Hulk magazine and capitalized on the success of the TV show. The supporting features (both from the weekly) were Nova and the Defenders. The Marvel Revolution of ’79 changed the line-up, making the New X-Men the main attraction (appearing alongside Marvel Two-in-One, Doctor Strange and others). It ran for fifty-four issues and folded into Marvel Superheroes.
The changes to the weeklies saw the introduction of the 'Skinn I' format. The glossy covers (seen as a costly hindrance) were jettisoned in favour of the same paper quality as the interiors (which must have made life easier at the printers). The page counts were also shaved... but (predictably) the cover price was not. Marvel was able to do more with less by reworking the US pages to cram more panels on every page, condensing a number of American pages onto one British one.
The revolution saw the now-expanded British Bullpen return to London, Jadwin House on Kentish Town Road, after their exile in Kent.
The revolution generated unprecedented attention in the British fan press including cover features in BEM and COMIC MEDIA NEWS. Dez, the Hulk and M-UK (along with Paddington Bear, the Mister Men and Disney's upcoming film The Black Hole) featured in the primetime BBC one documentary THE PERSUADERS: ROLLING WITH THE BANDWAGON, looking at selling to children. Dez credited his appearance with impressing the mandarins at BBC Enterprises when he pitched for the Doctor Who license days later. 
The Spider-man
weekly exited from the Marvel Revolution as the retooled SPIDER-MAN COMIC
(from 311) in January 1979. The new look
crammed-in Spidey, Nova, Fantastic Four, The Avengers and the Sub-Mariner. The title was changed again, a few months later,
after issue 333. The first of many
seasonal one-shots appeared in the summer of 1979. 
MARVEL COMIC was the new name for the radically reworked (as an adventure anthology) MWOM, launched in January 1979 (issues 330-352). Publication was suspended the following month due to a distribution strike. The new look (without the Hulk) failed to spark and it ended in the summer. The revised line-up included Godzilla, Daredevil, Dracula and Masters of Kung Fu.
HULK COMIC (aka
The Incredible Hulk), the first new post-revolution launch from Marvel UK, made
the most of the opportunities presented by the TV show to justify (initially)
an unprecedented amount of originated material (including the Hulk, Black
Knight and Night Raven). Falling sales
pushed it to a predominance of reprints.
Launched in March 1979, it merged with Spider-Man after sixty-three
issues (May 1980). 
The British Bullpen published their first four SUMMER SPECIALS, including the one-shot magazine TV HEROES, in the summer of '79.
Spider-man emerged, after the merger with the title that originally spawned it (adding Daredevil and Godzilla), as SPECTACULAR SPIDER-MAN AND MARVEL COMIC from 334 (1 August 1979). The cancellation casualty was quietly dropped after 337.
MARVEL
SUPERHEROES Monthly (from September 1979) retained (subtly at first) the old
MWOM/ MC numbering and was a vehicle for Avengers and original X-Men reprints
(their next generation continued to appear in Rampage). The Champions also became a regular
fixture. The new Captain Britain made
his premier in 377 (September 1981).
Savage Action merged with issue 382 (February 1982) followed by Rampage
in 393. Issue 397 (may 1983) was the
last, making way for the revived MWOM. 
The 1979 WINTER SPECIALS included STAR HEROES (featuring an adaptation of a Battlestar Galactica screen adventure still a year away from ITV), another outing for FRANTIC and SPIDER-MAN.
DOCTOR WHO
WEEKLY, launched in October 1979 and based on the TV series, was also heavily
reliant on new material (eventually reprinted numerous times). Sluggish sales led to a rethink, aiming at a
younger audience, early in 1980. When
that proved a misfire, more radical action was required.
FRANTIC followed
the two 1979 try-outs with a monthly series starting in March 1980 (and ending,
after eighteen issues, in July 1981) which once again used US reprints to ape
the success and formula of Mad Magazine.
SUPERHERO FUN
AND GAMES, another new Marvel UK monthly spawned by a one-shot the previous
year, also launched in March 1980.
The (surprisingly swift) end of the Hulk’s own weekly led to another Spidey-centric merger in May 1980. The first combined issue of SPIDER-MAN AND HULK WEEKLY was 376 (22 May 1980), co-starring Spider Woman and She Hulk. The new masthead continued through to 417 (March 1981) and another merger.
FORCES IN COMBAT, launched by Marvel UK in May 1980, was another crack at getting the adventure anthology formula right. This time the reprints included the UK debut of Rom the Space Knight, Machine Man, Masters of Kung Fu, Sargent Fury, Kull and the Rawhide Kid. It ran for thirty-seven issues before quietly folding into Future Tense’s thirteenth issue. Overstocks of the Rom action figure were shipped across the Atlantic and sold as part of Palitoy's Action Man line in the UK.
FiC and the new weeklies that followed used the 'Skin II' format, a legacy left by Dez. The time-consuming hassle of trying to cram more panels onto every page was largely abandoned (although the art was still tweaked as required) but the cheap-as-chips print and paper was retained (until late 1981). FiC did experiment with a couple of interior colour spreads... but they didn't last long.
Marvel's raft of SUMMER SPECIALS for 1980 included CAPTAIN BRITAIN, the first (of three) WESTERN GUNFIGHTERS (a title errenously announced as a new monthly the following year) and the first (of many) DOCTOR WHO SPECIALS (with the first of numerous reprints of The Iron Legion). YOUNG ROMANCE raided Marvel's romance files whilst WARRIOR WOMEN was surprisingly adult in tone, including a flash of boob.
STAR HEROES
POCKET BOOK continued, from the Winter Special, the Battlestar Galactica and
Micronauts reprints. A rival official strip, created in the UK, also appeared in LOOK-IN (owned by ITV, which aired the series from September 1980) for a year from October 1979. 
SPIDER-MAN
POCKET BOOK started as a vehicle for Marvel Team-Up reprints but switched,
after a few months, to classic sixties ASM reprints when the MTU strips were
diverted to the new weekly. It ran for
twenty-eight issues.
THE FABULOUS
FANTASTIC FOUR marked the return of Marvel’s first family to a solo British
book. It ran for twenty-eight monthly
issues.
YOUNG ROMANCE
POCKET BOOK, one of the least collected Marvel UK titles of the Star Age, plundered
the Bullpen’s extensive archives to try and attract a new readership.
CHILLER POCKET
BOOK saw horror return to the Marvel UK line-up. The reprints included Tomb of Dracula,
Man-Thing and other Seventies scare-fare.
It ran for twenty-eight issues.
THE EMPIRE STRIKES BACK WEEKLY was the new name, coinciding with the sequel, for Star Wars Weekly from 118 (29 April 1980).
MARVEL TEAM-UP
weekly cherry-picked selected self-contained from the US edition along with the
Fantastic Four, Daredevil, What-If and others.
This amounted to an all-out Spider assault on UK newsagents that,
unsurprisingly, ended with a merger after twenty-five issues. 
CONAN THE
BARBARIAN POCKET BOOK went back to the earliest days of the US comic for a
thirteen-month run of reprints.
THE INCREDIBLE
HULK POCKET BOOK was a thirteen-issue run of vintage sixties strips.
THE TITANS
POCKET BOOK borrowed the title, and the eye-straining page sizes, for a
thirteen-issue run of old Captain America, Iron Man and Thor strips.
THE EMPIRE
STRIKES BACK MONTHLY was a reboot forced on the British Bullpen by a lack of
sufficient new US material to sustain the existing weekly schedule. Issue 140 (November 1980) was the first.
FUTURE TENSE,
launched in October 1980, plugged the SF gap in Marvel’s weekly repertoire with
a collection of serialized reprints including Star-Lord, Warlock, Captain
Marvel, Paladin, Seeker 3000, Micronauts, Star Trek and Rom. Marvel were stretching the available
readership across multiple titles and, after forty-one turbulent issues,
quietly terminated FT. For reasons unclear (the film had been released in the UK almost a year earlier), Marvel held back the premiere of the Star Trek strip until the sixth issue in favor of Seeker 3000 (already seen in SWW). The delayed debut marked the first time Kirk and crew had held a regular slot in a British weekly since the homegrown strips had beamed out of IPC's Valiant in December 1973.
VALOUR, launched
the same week, was FT’s polar opposite.
The weekly collection of fantasy fare (Conan, Devil Dinosaur, Doctor
Strange, Thor and – latterly – Weirdworld) proved the less successful and the
two merged after Valour’s eighteenth week.
The weekend of 19/19 October 1980 saw Marvel host the one-and-only COMICS, FILM AND FANTASY CONVENTION at London's Royal Horticultural Hall. Reports on the weekend's events subsequently appeared in various M-UK titles.
The WINTER 1980 SPECIALS included VALOUR, MARVEL TEAM-UP, MARVEL SUPER ADVENTURE and BLOCKBUSTER.
The weekend of 19/19 October 1980 saw Marvel host the one-and-only COMICS, FILM AND FANTASY CONVENTION at London's Royal Horticultural Hall. Reports on the weekend's events subsequently appeared in various M-UK titles.
The WINTER 1980 SPECIALS included VALOUR, MARVEL TEAM-UP, MARVEL SUPER ADVENTURE and BLOCKBUSTER.
SAVAGE ACTION
(launched in November 1980 and published for fifteen issues) collected strips
(mostly) from Marvel’s US magazines including the Punisher, Dominic Fortune,
Ka-zar, Nick Fury, Moon Knight, Man-Thing and others. Night Raven (late of Hulk Comic) returned in
a series of prose adventures. Savage
Sword of Conan was mooted as a possible merger but ultimately survived. SA itself folded into Rampage. 
CINEMA MAGAZINE
attempted to clone Starburst’s successful formula in another movie
magazine. Although fairly successful,
the undermanned British Bullpen found itself overstretched and it was cancelled
suddenly after only nine regular issues (and a Winter Special). 
CAPTAIN AMERICA
weekly (launched in February 1981) turned to unusually contemporary reprints of
CA, Dazzler, Iron Man and the Defenders.
The twenty-first issue saw the arrival of the Fantastic Four and Thor from
Marvel Action. Daredevil, from Marvel
Super Adventure, followed in November (issue 37) accompanied by a new glossy
front-and-centre format. The fifty-ninth
issue closed the run in April 1982. 
FUTURE TENSE AND
VALOUR (18 March 1981) was the incongruous combination of the two floundering weeklies. FT issue 20 was the first of the new line-up
(Star Trek, Micronauts, Rom, Conan and Weirdworld) which ran through to issue
thirty-five. 
MARVEL ACTION,
launched in late March, rescued the Fantastic Four, Thor and Doctor Strange
from the wreckage of MTU and Valour. The
new weekly fared even less well and closed in fifteen weeks, making it (to
date) the least successful weekly in the history of the British Bullpen. 
MARVEL SUPER
ADVENTURE, another weekly, launched in quick succession (following a 1980
Winter Special with a different line-up).
Daredevil was the main attraction (and took most of the pages)
accompanied by Kirby’s run on the Black Panther. It managed twenty-six weeks before folding
into Captain America.
MARVEL MADHOUSE,
a second humor monthly from the British Bullpen, was briefly the companion to
Frantic before absorbing it after four overlapping months. MMH itself managed seventeen issues before
folding in June 1982.
The 1981 SUMMER SPECIALS included STAR TREK, WESTERN GUNFIGHTERS, CAPTAIN AMERICA and CAPTAIN BRITAIN.
BLOCKBUSTER was
the anything-but monthly launched in July 1981 by the British Bullpen. The line-up (Iron Fist, Omega and the
Inhumans) proved less than alluring and it merged with Rampage after only nine
months. An earlier special had starred
Thor. 
FUTURE TENSE
MONTHLY (August 1981) rebooted the floundering weekly in a last-gasp attempt to
keep in viable. Star Trek, Rom and the
Micronauts anchored the new format.
Issue thirty-six was the first, forty-one was the last, quietly bowing
out at the end of the year. 
Having had years
to prepare for the possibility, Marvel made the most of the marketing
opportunity presented by the long-delayed arrival of the live-action Spider-man
TV show in October 1981. SUPER
SPIDER-MAN TV COMIC (from 450, 21 October) was a radical overhaul restoring the
glossy covers (jettisoned in January 1979) and adding, for the first time,
glossy centre pages. Both were ideal for
reproducing stills from the show as well as originally commissioned artwork. The cover price rose from 15p to 20p. The finite length of the TV show meant the
overt tie-in only had a finite lifespan and the next change came after issue
499.
BLAKE’S SEVEN
Monthly, launched to coincide with the fourth TV season in September 1981,
tried to follow the success of DWM.
Unfortunately the tone of the first issues misjudged the audience and,
once the TV show ended, it struggled to find new things to say about a dead
show. It eventually ran for twenty-three
issues.
WORZEL GUMMIDGE
MONTHLY had a short run from October 1991.
Based on the Southern TV series (previously adapted in Look-In), it
seemed uncertain of its target audience and was cancelled within the year (and
replaced by a new weekly version). Issue
one came with a free flexi-disc, a first for Marvel UK.
MARVEL CLASSICS
POCKET BOOK, the last of the line to launch (in October 1981) reprinted
Marvel’s literary adaptations beginning with War of the Worlds. It ran for thirteen issues.
The Winter 1981 WINTER SPECIALS included SPIDER-MAN, WESTERN GUNFIGHTERS, (New) X-MEN, WEREWOLF and FANTASTIC FOUR.
The February 1982 cover-dated STAR-LORD THE SPECIAL EDITION US one-shot featured a reprint of the British DOCTOR WHO strip Spider God.
The Winter 1981 WINTER SPECIALS included SPIDER-MAN, WESTERN GUNFIGHTERS, (New) X-MEN, WEREWOLF and FANTASTIC FOUR.
The February 1982 cover-dated STAR-LORD THE SPECIAL EDITION US one-shot featured a reprint of the British DOCTOR WHO strip Spider God.
THE INCREDIBLE
HULK regained his own British weekly in March 1982 but, this time, only
mustered a twenty-seven week run before (again) folding into Spider-man. The glossy front-and-centre format allowed
Marvel to tie-in with the live-action TV show (still appearing on the ITV
network). MONSTER MONTHLY (April 1982) was Marvel's short-lived attempt to replicate the success of the US magazines devoted to old horror movies. However, this was the peak of the slasher boom and the explosion of VHS horror, leaving the magazine and its contents looking curiously old-fashioned. The strip material, which took a back seat to the (poorly reproduced) photos and features, hailed from the seventies US magazines.
There is no issue 428 of SPIDER-MAN. A Bullpen blunder saw the numbering jump from 427 (13 May 1981) to 429 the following week (20 May 1981). Marvel simply issued another 429 (27 May 1981) the week after.
STAR WARS
MONTHLY was, from issue 159, (July 1982) the latest incarnation of Marvel UK’s
long-running title.
The 1982 roster of SUMMER SPECIALS included the only Rom solo outing in the UK.
The 1982 roster of SUMMER SPECIALS included the only Rom solo outing in the UK.
RUPERT WEEKLY,
based on the Daily Express newspaper strip character, ran for 100 issues
between October 1982 and September 1984.
The WINTER 1982 SPECIALS included Spider-man, the Silver Surfer and the second (and final) STAR TREK SPECIAL (a not-quite-official Wrath of Kahn tie-in) which actually appeared AFTER Marvel had surrendered the license, allowing DC to relaunch the franchise in the States.
The WINTER 1982 SPECIALS included Spider-man, the Silver Surfer and the second (and final) STAR TREK SPECIAL (a not-quite-official Wrath of Kahn tie-in) which actually appeared AFTER Marvel had surrendered the license, allowing DC to relaunch the franchise in the States.
THE MIGHTY THOR
issue 1 (April 1983) was the first regular UK Marvel comic to feature colour
interiors since the mid-seventies.
Unfortunately the print quality proved to be dire and, combined with
dated reprints, sealed the weekly’s fate.
The nineteenth issue was the last to appear as a solo title (albeit with
Captain America as the regular back-up).
THE ORIGINAL
X-MEN had been a regular M-UK fixture since Marvel Superheroes in 1979 (and
earlier in The Titans and elsewhere) and finally graduated to their own weekly,
in colour no less, in April 1983. The
curse of crappy-colour struck again and sabotaged early chances of
success. The reprints were too dated and
the back-up strip (Kirby’s Devil Dinosaur) unappealing. It wasn’t long before the two new weeklies
merged. 
Despite being a best-seller since 1978, Marvel UK waited until the summer of 1983 (curiously missing the chance to cash-in on the impending release of the third movie) to release their first STAR WARS special. It reprinted the bulk of the British strips, including some by Alan Moore, created for the monthly. 
Other 1983 SUMMER SPECIALS included THE MIGHTY WORLD OF MARVEL, DOCTOR WHO, SPIDER-MAN, SPIDER-MAN FUN BOOK and the humorous CHANNEL 33 1/3. Creators Quinn and Howett toured the regional TV and radio studios of the UK (including About Anglia) to promote the one-shot.
WORZEL GUMMIDGE
WEEKLY, launched in March 1983, replaced the monthly incarnation. For this run, Marvel obviously dispensed with
the TV tie-in element and based the comic directly on the original books.
WORZEL GUMMIDGE
WEEKLY, launched in March 1983, replaced the monthly incarnation. For this run, Marvel obviously dispensed with
the TV tie-in element and based the comic directly on the original books. 
RETURN OF THE
JEDI weekly, launched in June 1983, replaced the existing monthly (after 171
issues). The new colour comic combined
saga reprints with a rotating line-up of movie adaptations (Indiana Jones, For
Your Eyes Only, Blade Runner, Time Bandits, Krull, Dark Crystal) followed by
Crystar and a long run of Power Pack. It
ended, as it began, with the ROTJ adaptation after 155 issues three years later. Issue nine features an infamous spelling mistake on the cover which the Bullpen tried to hide by taping the free bagde (sorry, badge) over the top of it.
Another TV
opportunity presented itself in October 1983 when the BBC picked up the
animated SPIDER-MAN AND HIS AMAZING FRIENDS.
Marvel changed the name of the weekly, from issue 553, to make the most
of the moment. However, a lack of US
material (and clearly no desire to commission more in London) led to a tenuous
tie-in. The title was justified by an
extended run of US Marvel Team-Up strips which, along with the FF back-up,
supplied an appropriate number of “Amazing Friends”. More friends arrived in issue 567 with the
demise of Thor and the X-Men, both of which were crammed in alongside the
existing strips. The free gifts in 554,
555 and 561 were originally announced for another (untitled) new weekly. 
The 1983 WINTER SPECIALS were the first to experiment with an album format and colour interiors. With the exception of the DOCTOR WHO edition which retained its traditional magazine format. The SPIDER-MAN AND HIS AMAZING FRIENDS special capitalized on the TV show but, true to form, didn't include any direct links with the animated series.
1983 saw the British Bullpen appear in a filmed segment of TV-am Saturday morning kids' show DATA RUN. A Bullpen Bulletins page covered the filming in December.
The beginning of 1984 saw Marvel UK officially relocate to Bayswater and 23 Reden Place. The new address had already been used, for several months, for Mail Order offers.
1983 saw the British Bullpen appear in a filmed segment of TV-am Saturday morning kids' show DATA RUN. A Bullpen Bulletins page covered the filming in December.
The beginning of 1984 saw Marvel UK officially relocate to Bayswater and 23 Reden Place. The new address had already been used, for several months, for Mail Order offers. 
THE THING IS BIG BEN, apparently a spoiler for Dez Skinn’s similarly named Warrior strip, was M-UK’s March 1984 launch. The short-lived (eighteen issues) weekly reprinted Marvel Two-in-One, Iron Man and (after Captain America was swiftly dropped) Power Man and Iron Fist. The principle strip carried over to Spider-man.
After several years absence, the Marvel name reappeared (albeit subtly) as part of the cover designs of the UK line.
The SUMMER 1984 SPECIALS included the return of SCOOBY DOO and the one-and-only THE THING IS BIG BEN SPECIAL. The album format remained. 
THE
TRANSFORMERS, Marvel UK’s toy tie-in, helped change the direction of the
company from in-house creations to licensed properties when in launched in
October 1984. The Robots in Disguise proved
an immediate hit and ultimately ran for 332 issues through to January 1992 The
main strip switched between runs of US reprints and new material. It absorbed Action Force and Visionaries. Other back-up strips included Machine Man,
Planet Terry, Spitfire (from the New Universe), Rocket Raccoon, Robotix,
Inhumanoids and others. Spider-man's black costume made its British debut, thanks to a cameo appearance, here rather then in his own title. The first UK created strip, Man Of Iron (subsequently reprinted in the US), appeared in the ninth issue as a stop-gap before the US series resumed after a hiatus. After a hiatus of several years, and reflecting the growing popularity of both the TV show and the American Direct Sales market, reprints of the British DOCTOR WHO strips returned to the United States. The new 'Baxter format' monthly, featuring new cover art by Dave Gibbons, reprinted the remaining Tom Baker strips before moving onto the Peter Davison era. It ended, quietly, in 1986 after 23-issues.
The WINTER 1984 SPECIALS, still in the album format, included SPIDER-MAN.
CAPTAIN BRITAIN, after years punting around the UK monthlies (dodging cancellation every time) finally regained his own book in January 1985. Initial plans to pad-out each issue with US reprints (including Alpha Flight) were abandoned in favor of new and reprinted British strips including Night Raven, Abslom Daak and the Freefall Warriors. It ultimately ran to fourteen issues. An internal mock-up, before the all-British theme was locked-down, featured reprints of Alpha Flight.
MARVEL SUPER
HEROES SECRET WARS was the British edition of the US limited series, launched
as an ongoing title in April 1985.
Marvel UK had previously been reluctant to run the material in the
UK. It initially appeared fortnightly,
alternating weeks with The Transformers but both were upgraded to weekly after
early success. The longevity of the
titular strip was extended by running back-up strips (Alpha Flight, Ice Man and
Zoids) to bulk out each issue. The
format and formula changed with the launch of Secret Wars II after thirty-one
issues. Issue 25, which appeared the week after the Spider-man weekly shuttered, featured an exclusive UK strip, created in October when Jim Shooter made an appearance on TV-am's Saturday morning show The Wide Awake Club. The three-page adventure has never been reprinted. Redan Place was memorably terrorized by the fiendish 'Secret Artist'. The reprints of the Ice Man limited series had previously been announced for the (pre-revamp) Spider-man. Early issues came with free cover-mounted sticker-badges, officially intended to be stuck on a poster presented free with the second issue, glued to the covers. These proved a nightmare to remove, making undamaged copies harder to find. Surplus stickers eventually appeared stuck to the covers of Secret Wars II, Spidey Comic and Return of the Jedi. 
Although technically a series of one-shots, the TRANSFORMERS COLLECTED COMICS constituted an ongoing series, albeit one published in a succession of different formats. After two editions of US material (Summer and Winter 1985), the rest of the nineteen volumes (a further eight were published as seasonal specials) reprinted British material. The last of the twenty-seven issue run appeared in the winter of 1994, outlasting the regular comic by several years.
The 1985 SUMMER SPECIALS refined the album format but raised the price to a massive £1.25 apiece. Unusually, the MASTERS OF THE UNIVERSE edition reprinted DC material, albeit based on the toys. The SPIDER-MAN edition maintained the black costume and the older tone despite the drastic changes to the weekly. The DOCTOR WHO edition reprinted the US Marvel Premiere colour versions of the original British material. 
August saw the long-running Spider-man weekly enter its terminal stage. Now (from 651) known as SPIDEY COMIC (a name and format Dez Skinn had pitched to Marvel’s management in 1980), it was now a scrappy shadow of its former self. Issue 666 was (appropriately) the finale, published in early December 1985.
CARE BEARS,
another toy-animation-merchandise tie-in for younger readers, launched in October
1985 and ran for an impressive 147 issues. 
The short-lived dalliance with licensing selected DC Comics material (see also: Masters of the Universe in the summer) allowed Marvel UK to publish the SUPER POWERS ANNUAL, based on the Kenner spearheaded multimedia-and-merchandise assault on toy stores. Hedging their bets, the Bullpen also published their one-and-only MARVEL SUPER HEROES SECRET WARS ANNUAL (reprinting the first issue of the limited series and sixth US Marvel Team-Up Annual), based on the rival Mattel line. 
SECRET WARS II
picked-up, in February 1986, where the original series ended. Issue thirty-two was the first under the new
masthead. The relaunch coincided with a
new direction that (largely) jettisoned the back-up strips in favor of
(sometimes literally) cover-to-cover SWII strips. In addition to the nine-part sequel, the
majority of the official tie-ins (and a large number of unrelated-but-critical-to-continuity
strips) also appeared. Issue eighty, published
in January 1987, was the last. Lew Stringer's humour strip Macho Man made sporadic appearances but a lack of available space made it a very occasional treat. Issues 55 and 56 reprint US Fantastic Four Annual 19. The flip-side of the story, from the perspective of The Avengers, was reprinted in the concurrent SWII Special. Neither had anything to do with the Beyonder's visit to Earth. The Power Pack story published in 65 had already seen print, only a few months earlier, in Return of the Jedi. Issue 66 presented a free Secret Wars Sticker Album (with stickers the following week), published by Panini, and loosely based on the first limited series. The official SWII Rom and Micronauts crossovers were omitted, possibly for licensing reasons, from the UK run. 
SPIDER-MAN AND
ZOIDS, the new Marvel UK weekly launched in March 1986, restored some of the
luster to the damaged Spider-man franchise by returning to contemporary black
costume adventures (albeit reworked to create a bizarre inner continuity). The price (worth paying?) was that the
toy-based Zoids (previously piloted in two promotional inserts and a brief run
in Secret Wars) now had star billing.
The third feature rotated through Sectaurs, Fantastic Four, Star Wars,
Star Brand, Secret Wars II, and Strikeforce Morituri. The two mergers during the year long run
were: Return of the Jedi (15, 14 June 1986) and Secret Wars II (46, 17 January
1987). The weekly was cancelled, one
issue short of its first birthday, to make way for the (aborted) Zoids
monthly. 
ACORN GREEN was
an eco-themed weekly for younger readers based on the toys. Launched in October 1986 (after a preview in
The Get Along Gang), it ran for 36 issues.
A free edition was also available from toy stores. Issue one came with a free flexi-disc.
MUPPET BABIES,
which ran for fifty-six weeks from October 1986, was based on the animated
series, produced by Marvel Productions, based on the Jim Henson
characters. It absorbed Acorn Green.
The Marvel-made TRANSFORMERS THE MOVIE is released in British cinemas, giving the British creative team free reign to weave their own stories, featuring the movie cast, between the US reprints.
November 1986 saw Marvel team-up with snack food maker Golden Wonder to package a series of DOCTOR WHO MINI-COMICS, reworking recent Colin Baker strips from DWM, given away with multipacks of their key brands. The offer was heavily promoted in print.
November 1986 saw Marvel team-up with snack food maker Golden Wonder to package a series of DOCTOR WHO MINI-COMICS, reworking recent Colin Baker strips from DWM, given away with multipacks of their key brands. The offer was heavily promoted in print.
The end of 1986 saw the entire Marvel business, including Marvel UK, sold to expansionist US film and television studio New World Entertainment. POPPLES, which had a thirty-issue run from February 1987, was based on the cuddly toys with the ability to turn inside out into a fluffy ball.
ACTION FORCE,
launched (after a preview in The Transformers) in March 1987, transferred the
toy license from Palitoy to Hasbro (who handled it in a much more professional
manner: overhauling the packaging, promotion and ancillary merchandising) and
the comics from IPC to Marvel UK. The
weekly, which mixed new material with reworked G.I.Joe reprints (and unrelated
back-up strips including the tried-and-tested Masters of Kung Fu), ran for only
fifty issues before succumbing to poor sales.
The US reprints continued, for years, in the pages of The
Transformers. Marvel UK had previously been announced as Palitoy's comics partner at the very launch of the toys several years earlier. A new British weekly had been included in the manufacturer's early outlines for marketing plans. That deal fell through and IPC came on board instead, saving the near-to-collapse Battle by dedicating half the page count to toy-based strips. Issue one, on sale for a fortnight, included the second issue free (the only time that Marvel tried this approach to a launch). Issue two was not sold separately. It's possible that this ultimately contributed to its early demise as if readers missed issue 1 (TV promoted courtesy of Hasbro) then their first opportunity to jump-on was the third issue. 
VISIONARIES,
based on the Hasbro toys and Marvel-made animated series, ran for four monthly
issues in 1987 before folding into Transformers. A subsequent special recycled the exact same contents, including the cover, as the final issues of the regular title. 
SINDY MAGAZINE,
from August 1987, was based on the British Barbie would-be. October 1987 saw the launch of THOMAS THE TANK ENGINE AND FRIENDS, based on the ITV series (in turn based on a series of Children's books).
INSPECTOR
GADGET, launched in late 1987, was a bi-monthly title based on the animated
series.
MADBALLS, published
from November 1987 to March 1988, was an eight-issue run of US reprints based
on the deformed toy balls.
EWOKS, published
from November 1987, reprinted the Star Comics strips based on the animated
spin-off (aired on BBC ONE) from Return of the Jedi.
The 1987 WINTER SPECIALS included the latest TRANSFORMERS COLLECTED COMICS, ACTION FORCE and THUNDERCATS.
1988 saw the Annex of ideas relocate again, moving from the (dangerous) shadow of the Whiteley's department store conversion to the far more salubrious confines of Temple's Arundal House, a stone's throw from the Thames.
The 1987 WINTER SPECIALS included the latest TRANSFORMERS COLLECTED COMICS, ACTION FORCE and THUNDERCATS.
1988 saw the Annex of ideas relocate again, moving from the (dangerous) shadow of the Whiteley's department store conversion to the far more salubrious confines of Temple's Arundal House, a stone's throw from the Thames. 
THE REAL
GHOSTBUSTERS, launched in March 1988, was a runaway success for Marvel UK. The animation/ toy tie-in (both inspired by
the movies) ultimately ran for 193 issues before closing in 1992. It also span-off several other series
including Blimey It’s Slimmer, It’s Wicked, Specials and a Best-Of
monthly. 
THE ADVENTURES
OF THE GALAXY RANGERS, launched in May 1988, hoped to replicate the success of
previous animation/ toy tie-ins.
However, the space western floundered (in part because of unsympathetic
scheduling of the TV show by ITV) after only nine issues (published
fortnightly). The remaining inventory of
already commissioned strips (as well as material already published in the
annual) subsequently appeared in Thundercats. 
ALF, from May 1988, reprinted the American strips based on the live-action and animated incarnations of the titular character. The monthly merged with The Marvel Bumper Comic.
THE FLINTSTONES AND FRIENDS (7 May 1988) renewed M-UK's association with the Hanna Barbera animation house after a break of several years.
ACTION FORCE
MONTHLY, launched in June 1988, saw the counter-terrorist team regain their own
title, albeit now in the US format. The
relaunch allowed Marvel to switch the title and export copies to North America
as G.I Joe European Missions. The fifteen-month
run combined new strips with reprints of the British material from the
weekly. 
DRAGON’S CLAWS
was a ten-issue US-format title launched by Marvel UK in July 1988. The fifth issue of the 2000AD inspired title
acted as a springboard for the launch of Death’s Head’s (another Simon Furman
creation) own title. 
Following the
success of the one-shot, THE MARVEL BUMPER COMIC returned as a regular series
(initially fortnightly and then monthly) in October 1988. It initially continued to be a ‘sampler’
reprinting the likes of The Real Ghostbusters, Doctor Who, ALF and other
established M-UK characters. It evolved
over time to feature strips that didn’t have their own ongoing British titles
(Droids, Defenders of the Earth). The
William Tell strip (launched in issue 21) was previously announced as being a
standalone title that was cancelled at the last moment. The Droids strip in 25 marked the end of
Marvel’s association with a galaxy far, far away. The Hulk appeared from issue 26, testing the
waters for his own anthology later in the year.
ALF officially merged with issue 28 but it was hard to tell the
difference. The 31st issue
(June 1989) was the last. 
DEATH’S HEAD,
the self-styled Freelance Peacekeeper, graduated (via DWM) to his own US-format
monthly in December 1988. His further
adventures ultimately ran for ten issues and made-up the bulk of the material
in the 1993 series The Incomplete Death’s Head.
POPEYE ran for eight issues between February and September 1989.
WILLIAM TELL, based on the impending TV show Crossbow, was announced as an upcoming new fortnightly lunch... but spiked at the last minute, after house ads had already appeared. The already-completed strips were diverted to The Marvel Bumper Comic. The Annex of Ideas also published an Annual and one-shot special with new material. A graphic novel collected the strips from TMBC. 
CARTOON TIME (1989) was another Hanna Barbera tie-in.
IT’S WICKED, launched
in June 1989, swiped Slimer from the Real Ghostbusters (the gift that kept on
giving as far as the Bullpen were concerned) and transplanted him to a
horror-themed humor weekly in the Monster Fun tradition. The radical departure from Marvel’s former
fare ran for only seventeen issues.
THE PUNISHER,
launched in August 1989, was a change in direction of the British Bullpen and
an attempt to attract new readers with a Mature Readers weekly. The main strip reprinted the limited and
ongoing Punisher series. The back-up was
initially the RoboCop movie adaptation but that gave way to reprints of The
‘Nam. It ran for thirty issues before
vanishing without warning. A merger of
sorts did take place: seventies adventures subsequently appeared in Strip. 
BEA, from
September 1989, was a girl’s monthly.
The strips included a serialized version of Portrait of Love, based on
the TV series Beauty and the Beast (also published as a standalone special).
THE INCREDIBLE
HULK PRESENTS ran for only twelve issues between October and December
1989. The main attraction was new Doctor
Who adventures, albeit pitched at a younger readership than the strips in
DWM. The other strips, all reprints,
were the Hulk, Indiana Jones (beginning with The Last Crusade adaptation) and
Action Force (rebadged G.I. Joe: The Action Force mid-run). The X-Men were slated to join the line-up but
the weekly was suddenly cancelled before they could appear. It set a new record (beating the one
established by Marvel Action in 1981) but swiftness of cancellation (Galaxy
Rangers clocked-up less issues but, being fortnightly, was on-sale
longer). 
SLIMER, launched in October 1989, transplanted the green slime specter from The Real Ghostbusters into his own monthly. The contents hailed from the US Now Comics run.
THE BOG PAPER,
improbably, took the British Bullpen into the realms of toilet humor in an
unwise attempt to expand the line.
Launched in late October 1989, the eleven-issue (wipe out!) run featured
the likes of Flush Gordon and Doctor Phoo. 
FANTASY ZONE was
an aborted attempt by Marvel UK to re-enter the media magazine market it
abandoned when it sold Starburst four years earlier. The new attempt ran for only six months
before the Bullpen pulled the plug.
Several US one-shots (Ghostbusters II and Star Trek V) were licensed
from Starlog Press and issued in the UK as FZ specials. 
DENNIS, from
November 1989, was based on the US newspaper (and star of an animated series
aired on Channel Four) strip character better known in the States as Dennis the
Menace. No relation. DOCTOR WHO MAGAZINE celebrated its 10th anniversary with a behind-the-scenes documentary from Reeltime Video. They did it again a decade later.
FANTASTIC MAX
(1990) was based on the US animated import shown on BBC ONE.
The STAR TREK
THE NEXT GENERATION fortnightly, launched in November 1990 (to coincide with
the belated UK TV premiere of the TV show) featured virtually no Marvel created
material. The comic strip material came
from the DC series and the features were ported across from the official US
Starlog magazines. It was relaunched as
monthly from issue twenty but cancelled four issues later. An annual followed the same uninspired format. 
POLICE ACADEMY
(1991) reprinted the US strips adapted from the TV cartoon adapted from the
film franchise initially pitched at a rather older audience.
NIGHT RAVEN: HOUSE OF CARDS revived the character in strip form for the first time since the demise of Hulk Comic. The revival had originally been slated for a run in STRIP MAGAZINE followed by a graphic novel compilation but, despite in-house publicity, the anthology was cancelled (without warning) the issue before the scheduled debut. The GN was repackaged, as a 'prestige format' one-shot, with a more commercial cover, as part of the US line in 1992.
RUPERT AND
FRIENDS (1991) marked the return of “Britain’s favorite bear” to the Marvel UK
line.
MELTDOWN, also
launched in July 1991, was another attempt to target older readers. The anthology, which ended after only six
issues, reprinted Akira, Nightbreed, The Last American and The Light and
Darkness War. The finale included a
preview for Marvel’s upcoming Genesis 92 project. 1991 saw Marvel UK's line of preschool comics split off into a separate entity: Redan Publishing, named after the British Bullpen's former base.
DEATH’S HEAD II
was the four-part radical reboot of the much-loved character, initiated by
incoming boss Paul Neary, intended to rework the character for the impending
‘Dark Age’. The US-format series was a
sell-out (the first issue went through three printings) and shifted over a
million copies. The January 1992 launch
usherd-in the start of the British invasion. DHII was the first M-UK book to carry the new corporate logo in the left-hand cover box. 
Initially offered as a incentive for OVERKILL subscribers, Marvel subsequently offered the Overkill t-shirt featuring Digitek as a mail-away offer.
Digitek, despite being the last of the 'Overkill five' books to see print, grabbed the cover of the second issue (April 1992) of COMIC COLLECTOR magazine (soon to become Comic World) which included an article previewing the new characters.
WARHEADS was, by a week, the first of the Marvel UKverse series of books (known in press and previews as the Genesis 92 line) and laid much of the ground work for the British corner of Marvel Earth. The titular team were dimension-hoping scavenger mercenaries dispatched by their Mys-Tech paymasters to bring back alien booty. One of the Overkill Five, it ran for fourteen issues.
MOTORMOUTH. £*c& me!
Potty-mouthed London teen becomes inter-dimensional jumper courtesy of a
pair of Mys-Tech developed sneakers. Harley
Davis (how did they get away this stuff?) was soon overshadowed by co-star
Killpower. The book ran for twelve
issues. Plans for various revivals were
snuffed-out in the Genesis Massacre. 
THE KNIGHTS OF
PENDRAGON were rebooted to suit the new superhero-centric aesthetics of the
UKverse. The revised version (which
rebooted again, with fairly disastrous results, mid-run) clocked-up fifteen
more issues. 
DIGITEK was the
last of the original Overkill Five books although the US debut of this fully
painted four-part limited series was delayed by several months to ensure the work
was completed and the four issues shipped on schedule.
WCW, based on
the US wrestling franchise, ran for ten issues from June 1992.
DEATH’S HEAD II
returned, in late 1992, for the inevitable ongoing series. Initial issues sold just as well as the
mini-series but the finite charms of the character, combined with too many
shameless guest shots, soon meant diminishing returns. The sixteenth issue was the finale and two
further planned issues never saw print. DEATH'S HEAD II GOLD was a planned quarterly that, suddenly, became a one-shot as the UK line imploded around it in late 1993. The foil-enhanced DEATH'S HEAD II issue 14 was a flip-book: turn it over and it doubles as DEATH'S HEAD II GOLD issue 0, a comic that's oft reported (and listed) as a standalone one-shot.
The new DEATH'S HEAD, the British Bullpen's flagship character, proved so popular (however briefly) that Marvel even commissioned an impressive costume for public appearances and promotional opportunities.
BATTLETIDE was a
four-part alien world rumble clearly inspired by a late night session watching
WWF on satellite TV. DHII, Killpower,
Wolverine and others were transported off-world to (Secret wars style) take
part in a melee for the gratification of assorted aliens.
DARK ANGEL was
the new name for Hell’s Angel, as of issue six (December 1992). The title ran for sixteen issues before
succumbing to the Genesis Massacre.
DOCTOR WHO
CLASSIC COMICS, launched in December 1992, was a companion to the ongoing
magazine featuring (new colourised) reprints of vintage WHO strips from across
all eras. It ran for twenty-seven
regular issues and spun-off the EVENING'S EMPIRE one-shot.
THE INCOMPLETE
DEATH’S HEAD (January 1993) was a canny way of getting more Death’s Head into
stores quickly following the whiz-bang success of the limited series and first
few months of the ongoing series. The
Bullpen shamelessly dusted down the various post-Transformers appearances of
the original incarnation and wrapped them up with new bookends featuring his
killer. The twelve-parter ran throughout
1993. 
MYS-TECH WARS
(March 1993) was a the-gang’s-all-here multi-character four-parter that crossed
over into a number of Marvel UK’s other Genesis books. It might have had more of an impact if the
copious numbers of US characters had referenced events in their own books. The wraparound cover of the first issue,
supplied by Bryan Hitch, is a stunner. 
BLACK AXE (April
1993), launched during the Genesis Explosion (with the obligatory DH II guest
shot to kick things off), ran for seven issues before, suddenly, getting the
chop. Two more issues were billed in
Marvel Age Magazine but never appeared.
The strips also appeared in Overkill.
This, Super Soldiers and Wild Angel were collectively known as Heroswarm.
SUPER SOLDIERS
(April 1993) borrowed from Captain America lore to speculate about what a
British team of enhanced soldiers would be like. The eighth, and final, issue was the only
part of the Red Mist 20:20 multi-book event to see print. The other three new launches (Roid Rage,
Death Duty and Bloodrush) were all canned at the last minute. Two further issues were announced in Marvel
Age magazine but never published. 
SHADOW RIDERS
(June 1993) was a four-parter that channeled some of the contemporary success
of the Ghost Rider family of titles. 
CYBERSPACE 3000
(July 1993) sent the UKverse into space (allowing Marvel to shoehorn in lots of
the cosmic characters from the US run) for an eight-issue run. The first boasted a glow-in-the-dark cover.
WARHEADS: BLACK
DAWN (July 1993) was a two-part series featuring the mercenaries. 
DEATH’S HEAD II AND THE ORIGIN OF DIE CUT (August 1993) was a two-part limited series (starring you-know-who) published as part of the Pumping Iron summer promotion.
With the future of the Annex looking rosy, and the Genesis Explosion in full swing, Channel Four aired an episode of the arts series OPENING SHOT to the company and its characters. The uncomfortable sequences, filmed in a New York comic emporium, where the customers clearly knew nothing of the British line, didn't bode well. Sure enough, explosion turned to implosion... and then the Genesis Massacre... within months.
BATTLETIDE II (August 1993) was a four-issue sequel to the previous series. The first installment appeared in the last issue of Overkill. Whoops.
Simon Furman postulated WHAT IF DEATH'S HEAD I HAD LIVED in What If issue 54 (October 1993), illustrated by Geoff Senior.
CHILDREN OF THE
VOYAGER was, like most of the short-lived Frontier Comics line (wiped out in the Genesis Implosion), some of the
better work to come out of the British Bullpen.
The four-issue series (issue one was cover dated September 1993)
wrapped-up just as the Frontier Comics line imploded. 
DANCES WITH
DEMONS was another superior four-parter from the more edgy (and doomed to a
quick death) Frontier Comics sub-set. 
IMMORTALIS was
another of the Frontier line who’s fate was sealed as soon as sales across the
industry went into freefall. Launched,
along with the others, the summer of 1993, the four-parter subsequently shipped
sporadically. The strip also appeared in
the one-shot anthology Marvel Frontier Comics Presents, a last-minute reworking
of the first issue of a just-cancelled quarterly anthology. 
KILLPOWER
(September 1993) rescued Motormouth’s co-star from the wreckage of her book and
gave him his own four-part ‘early years’ series as part of the Pumping iron
sub-set. 
DEATH 3
(September 1993) shamelessly milked the finite appeal of DHII with a four-issue
more-of-the-same mini-series. 
JAMES BOND JR,
launched in October 1993, was a British edition of the US strips created in the
UK (confused yet?) based on the ill-judged animated series that has now been
largely erased from the history books.
BLOOD SEED,
launched with an October 1993 cover date, fell foul of the Genesis Implosion
despite being illustrated by Marvel UK’s boss.
The Neary illustrated Conan-alike was scheduled for a four issue run but
went on hiatus after only two with the promise of more in 1994. The end of the Frontier Comics line, swiftly
followed by everything else, ensured that never happened. 
DARK GUARD
(October 1993) should have been the UKverse’s answer to The Avengers: a combo
of some of their biggest hitters in a sure-to-succeed book. The fact that the combined might of DHII (of
course), Motormouth, Killpower and others only mustered four issues shows how
desperate things were in the Annex of Ideas.
Plans to use already completed material in a quarterly reboot (Dark Guard Gold) amounted
to nothing. 
GENETIX was an
October 1993 ongoing series (featuring you-know-who in the first issue) that
ran for six months before being swept away in the Genesis Implosion. 
GUN RUNNER was
another entry in the Gene Pool sub-series.
The five part limited series (launched with an October 1993 cover-date)
was accompanied by trading cards. 
GENE DOGS was a
four-issue limited series launched with an October 1993 cover date. Part of the Gene Pool line, the first issue
came bagged with trading cards. 
DIE CUT,
cover-dated November 1993, was another entry in the Pumping Iron sub-set. The title came from the technology (predictably
applied to the first issue) of cutting holes in card covers. 
DIE CUT VS
G-FORCE was a two-issue limited series with a November 1993 cover date.
G-FORCE were slated to get their own book but
it was cancelled in the Genesis Implosion.
PLASMER was a
late-in-the-day (November 1993) four-parter (which also appeared in the dying
months of Overkill) which launched with trading cards. 
DEATH METAL VS
GENETIX was a late-in-the-run (cover dated December 1993) two-parter. Part of the Gene Pool sub-line, accompanied
by bagged trading cards. 
DEATH METAL,
launched in late 1993 (with a January 1994 cover date) was yet another
four-part DH clone, distinguished by being the last surviving of the US Genesis
books. 
DEATH WRECK,
another January 1994 four-parter, was more big biceps/ big guns shenanigans
from the increasingly desperate British Bullpen. Although it didn't appear on the cover of any Genesis title, with the exception of the BODYCOUNT teaser, which amounted to a What If? of books that never saw the light of day), the dying days of the Genesis line saw the introduction, mostly in House Ads of the new disc logo design. It was also used on titles intended for the home market but proved - ultimately - short-lived.
Demonstrating his (brief) star power, Death's Head II appeared on the cover (alongside Magnus from Valiant Comics) of THE OFFICIAL COMIC BOOK PRICE GUIDE FOR GREAT BRITAIN 1993/1994 (published by Titan Books) in a new illo by Liam Sharp. RED MIST 20:20 should have been the big Marvel UK event of late 1993: the launch of three new interconnected books. BLOODRUSH, DEATH DUTY and 'ROID RAGE (boasting a creative team including Jowett, Cowsill, Currie, Fonteriz, Braithwaite, Halls and Aldred) were about to roll off the US presses when Arundel House sent word to pull all three.
House Ads and paid spots in the comics press had already appeared and several issues of each were completed with more on the way.
The only part of the event to sneak out was the (unannounced) finale of SUPER SOLDIERS.
Marvel had planned to bag all the books with exclusive trading cards.
Other never-to-be launches included HEAVY WEAPONS 911 (a Frontier Comics title about "a big robot with a big gun"), KNUCKLEDOWN (dinosaurs!), MOTORMOUTH REMIX (a romp through alternate Marvel Earths), MOTORMOUTH Vs. REMOVAL MAN (another comeback for Harley), OFFICER OUTBODY, PUNISHER Vs DEATH'S HEAD II (by Abnett, Lanning and Hitch), SISTERS OF GRACE (Frontier Comics), TIMESTRYKE, WARHIDE, DARK GUARD GOLD: OLD FRIENDS (leftovers from the cancellation of the monthly), DEATH'S HEAD II: THE WILD HUNT (a trade paperback collection of the 1992 limited series), BATTLETIDE III and DOCTOR WHO: AGE OF CHAOS (published, in 1994, as a one-shot).
BIKER MICE FROM MARS (1994) was based on the animated series. There also appears to have been a German edition of the British edition.
THE CLANDESTINE, by longtime Marvel UK contributor Alan Davis, was initially announced as British launch for January 1994 but, despite pre-publicity (including a free cover-mounted trading card with COMIC WORLD magazine) succumbed to the Genesis Massacre. It was subsequently picked-up by Marvel New York and published, along with a preview edition, later in the year.
DOCTOR WHO: AGE OF CHAOS (Summer 1994) was a done-in-one magazine-format collection of the strips originally commissioned as a four-issue limited series for the US line (which would have been the first made-for-the-States Who strip since the sixties Dalek movie adaptation) but hastily reworked for the home market after it was delayed and then cancelled in the Genesis Massacre. It's often erroniously listed as a trade paperback or graphic novel but, to date, it has never appeared in book format. The writer was Colin Baker. 
Reprints of the 1960s Dalek strips from TV21 had been a mainstay of the weekly/ monthly/ magazine since soon after launch but the summer 1994 THE DALEK CHRONICLES one-shot marks the only time the whole saga has been collected in one volume (a full-colour magazine). 
BEAVIS AND
BUTTHEAD, from August 1994, was based on the flavor-of-the-moment animated MTV
characters.
X-MEN, launched
in October 1994, was pegged to the mighty mutant’s animated adventures.
THE REN AND STIMPY SHOW,
also from October 1994, was another tie-in with an animated series.
The BLAKE’S
SEVEN POSTER MAGAZINE, which ran for (appropriately) seven issues from late
1994, was something of a curio: based on the defunct-for-over-a-decade TV
show. Marvel’s renewed interest stemmed
from strong sales of the VHS tapes and brief repeat run on BBC TWO. Marvel also published two excellent specials
penned by Andrew Pixley.
DOCTOR WHO
POSTER MAGAZINE was another spin-off from the regular magazine (Yearbooks also
appeared during this period). The eight-issue
run never looked like it would be a long-term sales winner although its fate
was sealed by the closure of Marvel’s magazine department.
CLIVE BARKER’S HELLBREED drew strips from the US horror line alongside feature material
about the author and his work. Launched
in May 1995, it mustered only three issues before cancellation.
CASPER, from
October 1995, supplied a different sort of supernatural fare by reprinting “The Friendly Ghost”.
The second issue came with a free cover-mounted pin badge.
The near-death of the Marvel Magazines department (leaving only DWM, albeit now without the specials and yearbooks, as last-man-standing) ended plans to bring back PLAYBACK (TV) and BIZARRE (unusual and obscure film) as regular monthlies after a special apiece to test the waters.
The near-death of the Marvel Magazines department (leaving only DWM, albeit now without the specials and yearbooks, as last-man-standing) ended plans to bring back PLAYBACK (TV) and BIZARRE (unusual and obscure film) as regular monthlies after a special apiece to test the waters. 
SPECTACULAR
SPIDER-MAN ADVENTURES, from November 1995, was based on the animated series and
pitched at a younger audience. 
THE ESSENTIAL
X-MEN, launched in November 1995, heralded (along with its Spider-man companion)
the start of the Panini Collectors’ Edition series which is still going strong
(albeit with periodic relaunches) twenty years later. 
THE AMAZING
X-MEN, launched in January 1996, replaced the previous adjectiveless X-book
from what remained of the British Bullpen.
It also reprinted Generation X, possibly in anticipation that the TV
movie (released on tape in the UK) might lead to bigger and better things. It didn’t.
MARVEL ACTION
HOUR was based on the animated TV show that acted as an umbrella for separate
Iron Man and Fantastic Four series.
Despite both being adapted by Marvel US, the short-lived UK edition
(only four fortnightly editions from October 1996) curiously opted for other
reprints featuring the TV stars. All four issues featured the unusual (for Marvel, but common for competitors) strip-starts-on-the-cover style... which meant new art had to be commissioned for each. 
WOLVERINE UNLEASHED, the third of the Marvel Collectors’ Edition range from Marvel/ Panini, premiered in October 1996.
Massive thanks to Darren Robertson for providing the cover scans for TOP CAT'S TV SHOW COMIC, FLINTSTONES AND FRIENDS, ACTION FORCE, MADBALLS and SLEEZE BROTHERS. Much appreciated!
