Wednesday, 24 May 2017


From VHSville: More Moore... this time the first in the series of Carlton era THE PERSUADERS! tapes, showcasing the show's (fairly) unprecedented production values with extensive glossy location shoots in the south of France.  Compare that with Moore's previous playboy lifestyle in THE SAINT where - despite visiting the casinos and hotels of the world - he seldom actually left the confines of the Elstree lot.  Stock establishing shots covered a multitude of sins.

This came fairly late in the cycle of ITC glossy adventure shows (THE PROTECTORS, SPACE:1999 and RETURN OF THE SAINT were still to come) but this is a highpoint.  Lew Grade's ITC finally invested the money to create a weekly series that looked better than anything else UK or US programme makers could hope to muster.  And it boasted two leading men that not only made for a great double act but also added a further sense of glamour to the whole shebang.  Which is something Lord Grade knew all about.

Pick any episode of the show (and they looked amazing in HD) and it's clear that everyone is having a lot of fun... except maybe Joan Collins who had a major bust-up with Curtis on location and threatened to walk from the shoot.  It's interesting that Moore's career still had the best years - as Bond - still to come whilst Curtis is more obviously slumming on the small screen.  But, if you are going to slum, you might as well do it in one of the most expensive shows of its time.


From the dog days of the VHS era: the Carlton (remember those guys?) release of the SAINT 'movie' THE FICTION MAKERS, starring - of course - Roger Moore.

It's a long time since I've seen this faux feature film (shot with an inflated budget and designed to air as two episodes of the TV show OR as a theatrical presentation in some overseas markets) but - from memory - it contains a fair few nods to the BOND franchise.  But, of course, pretty much everything featured a Bond or spy riff in the sixties.  But it still makes for fun viewing.  

I was lucky enough to see Moore in person a couple of times... once at the Barbican for a special screening of his film THE MAN WHO HAUNTED HIMSELF (a fun thriller which I think he was the film he was proudest of) and again on the South Bank for a talk to launch one of his books.  Both times - years apart - I found him to be an absolute gentleman with an amazing humour and an amazing ability to spin a good yarn without really being mean to anyone.  If you were casting the ultimate dinner party, you would want Roger at that table.  And probably Joan Collins as well.  

Last night I took the time to watch THE PERSUADERS! episode 'A Death in the Family' by way of a farewell... a good choice because it was the last episode of the glossy early 1970s ITC series to go before the camera... and because Moore has some fun playing other members of the Sinclair family.  

That got me thinking about which Moore film to watch at the weekend.  And it made me realise that I'm spoilt for choice.  Even if you discount the BOND franchise, he made so many other films that fall perfectly into the 'good fun watch' file... CROSSPLOT, SHERLOCK HOLMES IN NEW YORK, THE MAN WHO HAUNTED HIMSELF, NORTH SEA HIJACK, THE WILD GEESE, THE CANNONBALL RUN, GOLD.  The list just goes on and on...

CARLTON, who joined the ITV system in the 1990s when they replaced Thames Television, were quick to realise that programme rights, format rights and intellectual property was a vital way of supplementing the more flakey income from selling airtime on commercial TV.  So they went around buying up various old film and programme libraries including Rank and ITC.  The material proved useful slot fillers for their digital spin-off channels as well as their VHS and DVD operations.  Carlton eventually merged with hitherto arch-rival Granada (the two had, between them, carved up the regional ITV network but - despite the battle to become the main player - still had to pull together to keep the network, and hair-brained spin-offs like On Digital/ ITV Digital, ticking over) to form ITV PLC.  The Granada name hung on for a while whilst Carlton's non-core assets (book publishing, cinema advertising, broadcast technology) were sold off and the name seems to have all but retired today.  

Tuesday, 23 May 2017



Whoever was picking the episodes certainly knew what they were doing.  Two Season One (Farrah!) crackers with log lines tailormade for the back cover of a tape (or TV GUIDE magazine).  Of course it helps that one of them is the legendary ANGELS IN CHAINS, the episode that catapulted the show into a surefire hit with their toned-down-for-TV take on a Seventies 'women in prison' exploitation flick.  Of course it helps that Mary Woronov and a young Kim Basinger are serving time on this episode as well.

Interestingly, the Spelling Telly Machine recycled the plot (but not the entire script) for the third season MATT HOUSTON outing 'Caged', a great showcase show for Pamala Hensley who - sure enough - finds herself banged up in a dodgy women's prison after suffering amnesia in a car crash.

BLUE ANGELS, the last episode of the first year to air (and, therefore, Farrah's last regular booking on the show that made her a global star), boasts a pre-BATTLESTAR guest turn from Dirk Benedict.  TV heaven x 2.

From memory, I think this came from a three-tape boxset (part of the boom in old non-SF shows that came at the end of the VHS era) which was released to cash-in on the first feature film.  Now I have all five seasons sitting on my shelf but - at the time - the chance to own any episodes was a treat.  


From 1991: More CHIMERA coverage courtesy of British horror fanzine/ magazine SAMHAIN.

The publicity still used on the cover rather gives the game away that the 'monkey boy' wasn't the most horrific of scary creatures.  But it passed muster back in the day.

Despite the cover feature, coverage inside the magazine was limited to a fairly brief review of the first episode... which wasn't atypical of the following three outing anyway.  Buyer beware.

The magazine itself, part of a flock of horror floppies that appeared that decade (including SHIVERS, THE DARKSIDE, FEAR and the FANGORIA spin-offs and wannabes), started out as a fanzine and then shifted over to a more professional (although one suspects still a 'labour of love') footing before eventually fading.


From 1991: Anyone remember CHIMERA, the Anglia TV drama/ horror based on the Stephen Gallagher novel?  The TV tie-in edition of the original 1981 novel is pictured here.

The four-parter was - apparently - a last-minute commission when a drama gap suddenly opened up in ITV's summer schedules... and Anglia (one of the mid-level companies in the system) were able to step in at short notice.

The first episode is a Hitchcock style bluff that sets things up for the meat of the three parts that follow.  Anglia also produced a shorter done-in-one TV Movie version (which gives you a hint at the amount of padding in the full-length version) which was subsequently 'repeated' on ITV and released on VHS.  It was probably also offered to overseas buyers as an alternative to the full multi-parter.  The edited version sometmes goes under the how-many-meetings-did-it-take title MONKEY BOY.  The original version has been released on DVD and is worth picking up for some undemanding chills... albeit with some dodgy performances and bad dubbing.

Monday, 22 May 2017


From the VHS era: The feature-length pilot episode of MOONLIGHTING, as released by The Video Collection.

This was one of the first sell-through TV tapes that I was aware of back in the 1980s and it may have been something of a trendsetter in the market, cashing in on the appeal of the show (airing, from memory, at 9pm on Tuesdays on BBC TWO).

The market obviously wasn't ready for episodic releases as we had to wait until the 1990s for what had become the industry standard release pattern: two episodes on a single tape, priced-to-go somewhere north of the £10.99 price point.


From the VHS era: the first of what turned out to be a long run (including a few rather stylish boxsets and store exclusives) of THE AVENGERS tapes.  Lumiere went the extra mile with these releases by pairing strong episodes (initially from the Rigg era... one b&w and one colour), adding sleave notes and making the prints look as good as possible.

I'd seen - and enjoyed - the show back in the 1980s when CHANNEL FOUR had rerun it on a Sunday night but these tapes were the first chance I'd have to see it as an 'adult'.  And I really enjoyed it.  It soon became part of my (super expensive) tape-buying routine along with the other current or 'classic' releases of the era.  The economics of it all seem madness now... I wish i had found a cheaper hobby.    


From the spring of 1996: the 8th issue of the UK BABYLON FIVE FAN CLUB magazine THE FIVE TIMES, with a really nice CGI render of the station as the cover.  

I think that shows the level of co-operation (albeing falling short of an official endorsement) the club enjoyed with the production.  Partly because the cast and crew always seemed to be here in the UK for conventions and signings.


From August 1994: the 20th issue of British DOCTOR WHO & TELEFANTASY fanzine THERMAL LANCE.

Friday, 19 May 2017


From VHSville: CBS released the first trailer for the new STAR TREK DISCOVERY TV show yesterday... and fandom of course went into meltdown.  Rather than just be chuffed that what was essentially a dead TV franchise (and not doing that well at the movies either) is being revived with what looks like a whopping budget, they decided to fixate on having to pay a few dollars-per-month to watch the show on the CBS streaming video platform in the States (it will be on Netflix in other markets) and debating why the show - set before the Kirk/ Spock era doesn't look more like 'The Cage'.

The first gripe seems to be that they have never had to pay for Trek before (except for the tapes, discs, books, comics, action figures, magazines, movie tickets and a million other bits of merchandise) so why should they start paying now?  They don't seem to understand that the TV marketplace has changed and that Trek, frankly, exhausted, the old routes to air by being squeezed out of first-run syndication (partly because previously independent stations were turning over their airtime to new webs like UPN and CW and partly because Paramount had flooded the market with reruns of the other series in the franchise) and then network TV (UPN, despite all the problems at the ownership level and the frequently changing programming priorities, did stand behind Trek for over a decade) when UPN and WB finally merged after a decade of slugging it out in an ever-shrinking fish pond.

CBS is using Trek to drive recognition and uptake to their new subscription service.  Broadcasters know that linear broadcasting is going to be a game of diminishing returns from now on and they need to stake a claim in the new world order or risk a few big players controling the content and the business deals.  Filling 24-hours of broadcast content is looking increasingly like hard work when you can concentrate cash and resources into fewer titles, that punch harder, which viewers can dip into whenever they want.

Fans should be celebrating that Trek is coming back to TV... and that CBS is willing to bet the farm by using it as a cornerstone for their new venture.  Trek has a bold tradition in leading broadcasting innovation.  Paramount pondered launching their own TV network in the late Seventies (that ultimately went nowhere when the advertising sums didn't add up) prior to STAR TREK: THE MOTION PICTURE; again when they used TNG to open up the syndication market to first-run quality drama and yet again when Trek anchored their UPN venture with Chris-Craft in an attempt to get into the network business to avoiud being squeezed out by legislation that allowed - for the first time in decades - the network's to own the shows they aired.

So... here is a fairly random STAR TREK: THE NEXT GENERATION VHS cover from back in the day when British fans had to pay over a fiver per episode to get the latest episodes or wait months (or years) for them to appear on Sky One (subscription alert!) or BBC TWO.

As for the second... Yup, it would make perfect sense to make the cutting edge remake look like a 50+ year old show.

Related Posts Plugin for WordPress, Blogger...