Monday, 24 July 2017
1990: JUDGE DREDD DATABASE: FLEETWAY MERCHANDISE STYLE GUIDE
This was never meant to be seen by or circulated to the general public or readership but one escaped into the wild and - decades later - I found it lurking in a back issue box for a few pennies.
I've not scanned the whole thing but I have included a few pages so that you get the idea.
The purpose of such a 'bible' is to ensure consistant standards or applied across the brand to prevent licensees, deliberately or accidentally, going off-message.
I'm sure such guides, or their modern (and no doubt more detailed) versions, are also familiar to any editor of publisher working on a licensed comic or magazine that has to carefully adhere to the 'masterbrand' at all times and at all costs. Long gone are the days when Marvel UK could run a backcover advert for a piece of bootleg STAR WARS merchandise without anyone being too bothered.
Clearly the makers of the (under appreciated) 1995 movie didn't read it too closely...
Monday, 5 June 2017
1997: COMICS INTERNATIONAL ISSUE 83: JUDGE DREDD AND PREDATOR
Tuesday, 14 June 2016
1991: JUDGE DREDD 10TH ANNIVERSARY EDITION (TITAN BOOKS)
The Titan albums were regularly advertised in the pages of 2000AD but, unless you happened to live near Forbidden Planet or another comic book stockest, hard to find in the real world. That gave them something of a holy grail quality... a perception enhanced by their substantial cover price (for kids) for soft cover black & white reprints (with no royalties paid to the creative teams... although they were commissioning new cover art).
It took a few more years for IPC themselves to realise that their inventory could have value in the UK. In the mid-Eighties they launched a range of BEST OF monthlies built around the back catalogue (traditionally used to take the pressure off origination budgets in the weeklies and to pad out the specials and annuals) with varying degrees of success. The 2000AD edition, later joined by a separate Dredd spin-off, ran for a decade (and a bit longer if you count the post-movie relaunches).
Titan milked the Tharg franchise as long as possible and used it as the launch pad to expand further into book publishing (including UK editions of some DC trade paperbacks as well as the original STAR TREK novels) followed by magazines, UK comics and - now - the extensive range of US format comic books.
Thursday, 9 June 2016
1995: JUDGE DREDD MOVIE ADAPTATION - DC COMICS EDITION
I've posted the UK edition on STARLOGGED in the past. This is the classier package but the downside is that the page dimensions are standard American size which gives the art less room to breath compared with the more generously proportioned British edition.
Why both DC and Fleetway editions? Different markets obviously (although Fleetway had been publishing the Quality Comics line in the States) but also part of the licensing deal between the two companies that allowed DC to publish two ongoing DREDD books with all new material.
I rewatched the film at the weekend, and although it is a flawed beast in many ways, I don't think it deserves its reputation as a Dredd disaster. The combination of the plot and the casting dictated several changes to the lore (it would have been dumb to keep Stallone's face obscured throughout when the plot demands that he's stripped of his uniform and helmet. Plus, of course, he was a considerable international star which it would be nuts not to exploit) but - all told - it felt a lot more faithful to the franchise than the more recent, stripped back, version. I don't agree with the armchair critics who advocated bring in the Dark Judges as the first villains... I think its too much to ask a mainstream audience to accept the future of Mega City One AND supernatural villains from another dimension.
Stallone probably wasn't the best casting for the role (and some of his delivery is suspect for an actor who clearly can deliver the goods when he puts his mind to it) but its hard to imagine which of his contemporaries would have been a better choice in terms of star power and suitability. And, to his credit, he did apparently immerse himself into Dredd's world when he took the part.
The whole comedy sidekick routine, our way into Dredd's impenetrable world, was much beloved of Hollywood and clearly some computer somewhere decreed Fergie (not that one... or that one) was essential to opening up the film for a mainstream audience.
Sadly it was all for naught as it failed to catch fire at the US box office and actually raked in less cash (partly because of its kids and teens unfriendly rating) than minor Disney effort THE GOOFY MOVIE. Oh dear. But it did fare better overseas where the Stallone brand of action was still capable of pulling in the punters. But this was still a time when US BO and merchandising (which also took a hit because of the film's older viewers
rating) were the only true measure of success as far as Hollywood was concerned... overseas grosses helped the bottom line but weren't valued as much as domestic success.
Tuesday, 29 September 2015
1995: The JUDGE DREDD MOVIE ADAPTATION UK EDITION
From 1995: The British edition (DC published the American printing as part of its ill-fated licensing deal to publish new JD comics stateside) of the JUDGE DREDD MOVIE ADAPTATION.
This was a one-shot spin-off from the 2000AD group and appeared alongside movie-themed editions of the regular runs and opportunist reboots of the two ongoing archive compilation mags.
I don't think its a bad little movie, despite its obvious flaws, and was a reasonable attempt at bringing the JD universe to the big screen. The adaptation, in turn, does a good job of bringing the movie back to comics.
The movie version of JD also appeared in the new LAWMAN OF THE FUTURE fortnightly and a one-shot.
Thursday, 17 September 2015
1990: JUDGE DREDD THE MEGAZINE Issue1
From October 1990: one of the great survivors of British comics (and the only one of the wave of Mature Reader chasing title to launch in the early 1990s to get any traction): the first issue of JUDGE DREDD THE MEGAZINE.
This was seen as far from a safe bet back at the launch and IPC, and then Maxwell, had toyed with launching a ROY OF THE ROVERS type spin-off for the best part of the previous decade but always backed off for fear of cannibalising the success of 2000AD. The collapsing market for traditional weeklies was the final shove Fleetway's management needed to take a chance.
The success of DREDD stateside in he licensed Eagle and Quality reprints also convinced the publisher that they could double their income streams by issuing a bookshelf/ prestige format US edition. That part of the project ultimately proved short-lived.
Its been a rocky 25 years as the megazine has endured a sucsession of relaunches, bloated confidence that the 1995 movie misfire would catapult Joe D into the mainstream and a succession of budget cuts that forced the editors to reprint some good, but not always appropriate strips, just to stretch finite budgets further and keep the book alive.
Volume 1 ran for 20 issues through to May 1992.
Deemed a success, the second volume saw the frequency upped to fortnightly for an 83 issue run, ending in 1995 to coincide with the overhaul of the 2000AD family of titles on the eve of the movie release.
The 79 issue third volume startedfortnightly but, once it became clear that the movie was not the success that everyone had hoped for, management lost faith and the schedule was dropped back to monthly. This was accompanied by a new fortnightly, LAWMAN OF THE FUTURE, chasing a younger crowd attracted to the franchise by the Stallone outing.
Volume four ran a mere 18 issues, ending with the overall 200th issu of the Meg's run.
Volume 5 is the one currently on sale. It launched, with issue 201 in January 2001 and is still going strong.
Happy Birthday Joe!