Showing posts with label MISTY. Show all posts
Showing posts with label MISTY. Show all posts

Thursday, 26 February 2015

1986: ON SALE THIS MONTH: THE BEST OF MISTY MONTHLY Issue 2


On sale now in 1986: The second issue of the short-lived (but top marks for trying) BEST OF MISTY MONTHLY, reprinting material from the long-defunct weekly. 

Thursday, 29 January 2015

1986: ON SALE THIS MONTH: THE BEST OF MISTY MONTHLY Issue 1 (IPC)


On sale this month in 1986: the first issue of THE BEST OF MISTY MONTHLY, another of IPC's archive-driven compilations.

What made this one slightly different is that, unlike most of the others, it wasn't a brand extension of an existing weekly.  It resurrected a title that had been cancelled almost exactly six years earlier.

It ran for eight issues. 

Wednesday, 20 August 2014

1986: THE BEST OF MISTY MONTHLY Issue 1 (IPC)


THE BEST OF MISTY was another entry into IPC's range of back-catalogue scouring "Best of" black & white monthlies and launched in early 1986.  Like the others in the series, it compiled stories from the weekly.  

Unusually, these compilations hailed from a long-defunct title.  IPC had folded the cult classic supernatural girls comic into TAMMY (ahem) way back in January 1980 after a run of 101 issues over just under two years.  

The "Best Of" line was somewhat hit-and-miss in terms of success.  The 2000AD spin-off, launched the previous year, was a runaway success (despite the sheer number of other 2000AD reprints doing the rounds at the time) and eventually ran for a decade before being relaunched to coincide with the 1995 JUDGE DREDD movie.  It even managed to spawn a spin-off of its own when the Dredd strips were split off into their own title.  

At the other end of the spectrum, the EAGLE spin-off proved to be a flop desperate being attached to IPC's 1980s mainstay (the list of other titles it absorbed is depressingly long: SCREAM, TIGER, BATTLE, MASK and WILDCAT), and pulling reprints from TIGER and SCREAM, it failed to find a readership.

These represented a low investment/ high return prospect for the publisher… they didn't have to pay to reprint their own inventory and the work-for-hire creators weren't entitled to supplementary payments for reuse of material.  
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