From 1986: The MARVEL SUPER HEROES SECRET WARS STICKER ALBUM.
Buyers of MARVEL UK's 1986 weeklies will be familiar with this one... the (empty) album came bagged with copies of SECRET WARS II issue 66, SPIDER-MAN AND ZOIDS issue 31 and TRANSFORMERS issue 81. All cover-dated 4 October. So, if you were a True Believer, there was a good chance you ended up with three of the things!
The following week's issues all included a packet of stickers to help fuel the addiction.
The timing of this one seemed a bit weird back-in-the-day. MARVEL UK was deep into the sprawling SECRET WARS II saga (the weekly switched storylines, and title, from issue 32) and the original Battle World romp seemed a little like ancient history.
Secret Wars - probably because it lacked the support of an animated series (although this album did briefly spark playground rumours that one was on its way) - never became the same mass marketing event in the UK that it was in the States... but we did get some spin-off merchandising, including the Mattel action figures that sparked it all.
As for the album itself: it basically takes the Jim Shooter-created premise of the original limited series and fleshes it out with more events, as illustrated in the not-seen-in-the-comics page below. Maybe Shooter should get more credit for creating a scenario where - in theory - the heroes and villains could encounter an unlimited number of new threats and challenges. Much like the we're-on-a-quest SF shows of the 1970s. Except they never seemed to last long.
The artwork is uncredited throughout. The panels are not lifted directly from the comics so I assume they were probably done by one (or maybe a team) of jobbing artists somewhere. It must have kept them busy for a while... which may explain the relatively late launch.
The events of the sequel are - possibly because it was something of a sprawling mess - ignored.
The giveaway didn't seem to have much of an impact on my peers. Unlike the TRANSFORMERS album given away earlier in the year, no one I knew (including me) bothered with this one. Maybe it's because superheroes weren't quite as cool in the mid-eighties or maybe it lacked the all-important shiney cards (a gimmick nicked from football sticker collecting). The art - whilst cool - couldn't compete with actual animation stills as seen in the TF collection.
Marvel Productions did - btw - punt the idea of a Secret Wars animated series to the US broadcasters but couldn't find any takers.
This isn't one of the three albums I ended up with that week. All are now long-gone. I found a completed copy (result!) in a store and couldn't pass up the chance to finally own it.
Showing posts with label The Transformers. Show all posts
Showing posts with label The Transformers. Show all posts
Friday, 4 August 2017
Wednesday, 28 June 2017
1984: TRANSFORMERS/ INDIANA JONES MARVEL UK HOUSE AD
From October 1984: two new launches from MARVEL UK: The soon-to-be-very-successful THE TRANSFORMERS and the cancelled-within-the-year INDIANA JONES MONTHLY.
It is safe to say that September/ October '84 was a big month for Marvel readers in the UK... the launch of the new CAPTAIN BRITAIN monthly, these two new arrivals, the end of MWOM (see the previous post) and the reboot of SAVAGE SWORD OF CONAN as a (partial) colour monthly with a movie adaptation and the post-CB leftovers from the MIGHTY WORLD...
The pain of going Back To School was also reduced by the sport of hunting the various bookshops and newsagents (and even Boots as I recall) to spot that year's must-have annuals.
It is safe to say that September/ October '84 was a big month for Marvel readers in the UK... the launch of the new CAPTAIN BRITAIN monthly, these two new arrivals, the end of MWOM (see the previous post) and the reboot of SAVAGE SWORD OF CONAN as a (partial) colour monthly with a movie adaptation and the post-CB leftovers from the MIGHTY WORLD...
The pain of going Back To School was also reduced by the sport of hunting the various bookshops and newsagents (and even Boots as I recall) to spot that year's must-have annuals.
Tuesday, 16 May 2017
THE TRANSFORMERS: ARRIVAL FROM CYBERTRON VHS
From the VHS era: the first TRANSFORMERS tape release in the UK, featuring the opening multi-part story ARRIVAL FROM CYBERTRON. AKA The Origin Story.
The series made its TV debut sliced into brief four-to-five minute segments and aired daily, in the school holidays, as part of TV-am's weekday morning Roland Rat-fronted childrens strand. This strictly rationed approach ensured we tuned in every day of the holiday... and also allowed TV-am to make one 25-minute episode last a week. Which no doubt appealed to their frugal mindset. It also - of course - made a mess of the structure of the episode, not helped by some occasionally random fading in and out if the vision mixer wasn't paying attention.
The breakfast broadcaster did - later - air complete episodes at the weekends. They also - briefly - pressed the show into service to fill their weekday schedules during the technicians strike which - initially - made it all-but-impossible for the management-operated station to mount anything other than the most simple (rip-and-read news headlines and the weather) live output.
Numerous more TRANSFORMERS VHS tapes followed. When they proved a cashcow and a useful cross-promotion for the toys, Hasbro added tapes of pretty much every other animated show they were pumping out in the States. At least Transformers, unlike ACTION FORCE, didn't require a new soundtrack.
Friday, 5 May 2017
1986: TRANSFORMERS SPECIAL TEAMS MARVEL UK HOUSE AD
From May 1986: A MARVEL UK House Ad for one of the earliest targeted marketing tie-ins between THE TRANSFORMERS comic and the Hasbro toys.
Of course, the whole comic (and all the other gubbins) were always there to flog the toys but Special Teams marked an opportunity to co-ordinate what was happening in stores with Hasbro's marketing machine... and the weekly's storyline.
Only one snag... the Special Team characters weren't due to debut in the US strips for a while, and Redan Place couldn't pull them forward without creating a continuity train wreck. So Simon Furman's solution was to create a storyline which introduced the new characters and foreshadowed their official premiere without screwing continuity. Job done. Hasbro happy. Sales bolstered. Probably.
This add is also a classic example of Marvel UK design during this period... lots of text boxes with cut corners. The house style appeared a lot on covers and in interiors.
Of course, the whole comic (and all the other gubbins) were always there to flog the toys but Special Teams marked an opportunity to co-ordinate what was happening in stores with Hasbro's marketing machine... and the weekly's storyline.
Only one snag... the Special Team characters weren't due to debut in the US strips for a while, and Redan Place couldn't pull them forward without creating a continuity train wreck. So Simon Furman's solution was to create a storyline which introduced the new characters and foreshadowed their official premiere without screwing continuity. Job done. Hasbro happy. Sales bolstered. Probably.
This add is also a classic example of Marvel UK design during this period... lots of text boxes with cut corners. The house style appeared a lot on covers and in interiors.
Monday, 27 March 2017
1992: THE FINAL ISSUE OF MARVEL UK'S TRANSFORMERS
From January 1992: The end of an era... the last edition of MARVEL UK'S TRANSFORMERS after 332 issues.
All good things must come to an end... especially in the media. And so, after a successful run by pretty much any measure, the British edition of the TF comic finally shuttered. There was definately the sense the title was living on borrowed time for a while with a cut in frequency back to fortnightly, the loss of some of the colour interiors and the end of originally commissioned British content.
The toyline was also winding down, at least in the States (Europe and elsewhere was a slightly different story) and was no longer a Marketing or sales priority for Hasbro. That had a knock-on effect on the comics license which was also inevitably seen as a diminishing priority. The toys and the comics were starved of the essential TV advertising that kept fickle consumers interested. The animated series, once a fixture of TV-am's schedules had also been banished to satellite tv... and may well have vanished entirely.
Sales of British adventure comics, hard hit in the previous decade, were also continuing to decline. Marvel's attempts at finding companions and successors to the Robots in Disguise had - with the exception of THE REAL GHOSTBUSTERS - largely tanked.
The final nail in the coffin was Marvel NY ending the US edition after 80 issues (76 more than they originally planned to publish) and putting the license (briefly as it turned out) on ice. That cut off the supply of new content to the British edition... and put Marvel's association with the toys in doubt.
As it turned out, Marvel US did revisit the franchise by jumping onto the G2 franchise, at least for another twelve issues. Oddly however, the British branch of the Bullpen let that ship sale and it fell to Fleetway to have a brief stab at their own version. The short-lived title (and tie-in annual) mixed new content with Marvel reprints.
The British Bullpen had hoped that they would be able to reboot this title as a monthly. Indeed, they had strongly hinted at the plan in previous weeks. However, in the end, it fell victime to Marvel's traditional first quarter purge of underperforming publications.
All good things must come to an end... especially in the media. And so, after a successful run by pretty much any measure, the British edition of the TF comic finally shuttered. There was definately the sense the title was living on borrowed time for a while with a cut in frequency back to fortnightly, the loss of some of the colour interiors and the end of originally commissioned British content.
The toyline was also winding down, at least in the States (Europe and elsewhere was a slightly different story) and was no longer a Marketing or sales priority for Hasbro. That had a knock-on effect on the comics license which was also inevitably seen as a diminishing priority. The toys and the comics were starved of the essential TV advertising that kept fickle consumers interested. The animated series, once a fixture of TV-am's schedules had also been banished to satellite tv... and may well have vanished entirely.
Sales of British adventure comics, hard hit in the previous decade, were also continuing to decline. Marvel's attempts at finding companions and successors to the Robots in Disguise had - with the exception of THE REAL GHOSTBUSTERS - largely tanked.
The final nail in the coffin was Marvel NY ending the US edition after 80 issues (76 more than they originally planned to publish) and putting the license (briefly as it turned out) on ice. That cut off the supply of new content to the British edition... and put Marvel's association with the toys in doubt.
As it turned out, Marvel US did revisit the franchise by jumping onto the G2 franchise, at least for another twelve issues. Oddly however, the British branch of the Bullpen let that ship sale and it fell to Fleetway to have a brief stab at their own version. The short-lived title (and tie-in annual) mixed new content with Marvel reprints.
The British Bullpen had hoped that they would be able to reboot this title as a monthly. Indeed, they had strongly hinted at the plan in previous weeks. However, in the end, it fell victime to Marvel's traditional first quarter purge of underperforming publications.
Thursday, 7 April 2016
1986: TRANSFORMERS SPECIAL TEAMS MARVEL UK HOUSE AD
From May 1986: a MARVEL UK house ad touting the imminent arrival of the combining SPECIAL TEAMS (how long did it take the Hasbro Brians Trust to come up with that name?) in the TRANSFORMERS comic.
The push, of course, coincided with the launch of the toys themselves in UK stores. Their UK debut happened earlier than their official arrival in the reprinted American strips so Simon Furman and the Annex of Ideas had to concoct a new tale (Buster's dream) to tease the characters without wrecking continuity.
The free gifts (bankrolled by Hasbro) were also, of course, geared to making the new toys top of kid's gifting wishlist. Unleash the pester power!
Thursday, 4 June 2015
1986: TRANSFORMERS THE MOVIE (Marvel UK)
From December 1986: Readers of MARVEL UK's SPIDER-MAN AND ZOIDS and TRANSFORMERS (of course) weeklies had a chance to win one of twenty (very generous!) movie posters (not to be confused with M-UK's own TRANSFORMERS POSTER MAGAZINE which used the same advertising key art) as part of efforts to drum up business for the UK theatrical release of TRANSFORMERS THE MOVIE.
I saw the movie (and liked it!) at the cinema (in made in to Chelmsford!) and really enjoyed it. I also had the soundtrack album (on tape!), the poster mag (long since lost me thinks) and the three-part US limited series. More recently I saw the film again on the big screen when it was shown again in London... and still thought it was pretty darn good. Better than the live-action efforts anyway...
Tuesday, 26 May 2015
1987: THE TRANSFORMERS: THE COMPLETE WORKS House Ad (Marvel UK)
From August 1987: The MARVEL UK House Ad for the two-volumes-and-we're-done THE TRANSFORMERS: THE (Far From Complete) WORKS.
As mentioned in posts past, this was a two volume run of hardbacks that, despite their name, only actually compiled (in colour) the initial four-issue US limited series which introduced the giant robots and their universe (actually, at this point, Marvel Earth). The same material (give-or-take) had already appeared in the ongoing series and the two 1985 Collected Comics editions.
Whether Marvel had ever planned to extend this range further is unrecorded but it seems unlikely. They even went as far as to commission a new final page of art that left the Autobots triumphant over their enemy. As anyone who remembers reading the shocking conclusion to the strip at the time, Marvel left the limited series on a cliffhanger by suddenly bringing (the daft looking) Shockwave (teased in earlier issues) into the battle and apparently annihilating the Autobots.
For a long time, rumors circulated that this page had originally been prepared for the American editions but substituted pre-press, at the last minute, once the green light had been given to continue (after a hiatus) the series. Although in makes a convincing case, the uncredited art doesn't match the rest of the book.
Tuesday, 19 May 2015
1986: THUNDERCATS ANNUAL and THE TRANSFORMERS ANNUAL House Ad (Marvel UK)
From November 1986: A MARVEL UK House Ad for the first (of 6, published 1986 to 1991) THUNDERCATS ANNUAL and the second (of seven, published 1985 to 1991) THE TRANSFORMERS (Generation 1) ANNUAL.
The Transformers edition featured all-new material. The Thundercats book reprinted the origin story (an adaptation of the "oh-look-they're-naked" pilot episode of the animated show) from the first issues of the US Star Comics run.
The Thundercats book went on sale ahead of the Marvel UK ongoing comic (which launched the following March) and the TV itself. BBC ONE aired the first episode on 2 January 1987 at 4.55pm.
The Thundercats material was subsequently reissued in another M-UK hardback: THUNDERCATS: THE ORIGIN.
Thursday, 14 May 2015
1986: MARVEL UK TREASURY EDITIONS/ COMPLETE WORKS House Ad.
From May 1986: A MARVEL UK House Ad for the first three releases in the hardback TREASURY EDITION (not to be confused with the oversize tabloids of the past) line.
These were sold in book stores/ departments rather than alongside the regular comics so, despite heavy plugging in the core line, were easily overlooked.
The two younger-reader entries, THE CARE BEARS and THE GET ALONG GANG, recycled material from the respective weeklies.
THE TRANSFORMERS: THE COMPLETE WORKS (something of a misnomer as it only reprinted the first two issues of the initial US limited series) is the one most likely to resurface today. It recycled the specially-commissioned cover art from the first UK issue, based on the toys rather than the more commonly used animation model sheets from Marvel Productions (they reached New York after the first issue of the limited series was already completed... and took far longer to reach Redan Place).
The contents would already have been familiar to anyone who'd read the first four issues of the fortnightly or the first (summer 1985) Collected Comics edition. The latter, and this hardback, had the advantage of presenting the material in colour (the fortnightly, after the first issue, was a mix of colour and black & white interior pages) and with the pages in the intended order. The British Bullpen sliced the meet-the-Autobot-team double-page spread (an invaluable reference tool) out of the main strip and made it the centre-page poster in the second issue.
A second edition of THE TRANSFORMERS followed... but we'll get to that.
As well as being Marvel weeklies, all three had something else in common... their animated counterparts were all part of TV-am's early morning schedules.
Tuesday, 12 May 2015
1986: TRANSFORMERS THE MOVIE POSTER MAGAZINE and ZOIDS ANNUAL House Ads (Marvel UK)
From December 1986: a double-dose of MARVEL UK giant robot goodness: side-by-side (or, more accurately, stacked) House Ads for the TRANSFORMERS: THE MOVIE POSTER MAGAZINE and the one-and-only ZOIDS ANNUAL.
The Poster Magazine (reviving an old publishing tradition, occasionally indulged by the Annex of Ideas) was a giant version of the stunning key advertising art with, if I recall correctly, a summary of the movie on the reverse illustrated by cells/ stills from the animation.
M-UK also reprinted the three-issue movie adaptation in a done-in-one album-format special.
The Zoids Annual was a spin-off from SPIDER-MAN AND ZOIDS weekly (Spidey also had his own annual... I'll post the House Ad for that soon) with all new material. At this time, the Bullpen were canny (or foolhardy) enough to tie the yearbooks into the ongoing continuity of the comics making them even more of a must-have for regular readers.
Tuesday, 17 February 2015
1987: MARVEL UK ANNUALS House Ad
From 1987: a cavalcade of MARVEL UK ANNUALS.
It says a lot that there's no SPIDER-MAN ANNUAL in the bunch... that's how far the mighty had fallen in the second half of the eighties. The MARVEL SUPERHEROES edition was, however, an excellent alternative and must rank as one of the very best single annuals of the Star Age.
The rest are a motley bunch of licensed titles... and equally good indicator of the direction of travel for the Annex of Ideas... and the state of the annuals business.
The ACTION FORCE edition was the first from Marvel UK... and also the first time the Force had gone solo in a yearbook. The previous three years had (logically enough) seen them sharing the pages of the BATTLE ANNUAL from Fleetway. Unlike the previous years, this was (with the exception of a new text story) an all-reprint affair, drawing on the US G.I. JOE strips.
THE TRANSFORMERS ANNUAL was the third, and the first year that the movie characters had featured. For some... this marked the end of the golden age of the Robots in Disguise.
THE THUNDERCATS edition was the second, spun-off from the popular weekly, toys and animated series (aired on the BBC).
The seldom seen DUNGEONS AND DRAGONS book, presumably (like the one-shot special I've covered before), reprinted the Spanish strips based on the Marvel Productions TV show.
The rest, pitched at younger readers, are all based on toy or animated (or both) characters. I think the INSPECTOR GADGET (who I'm sure also had a slot in LOOK-IN... although I don't know if the two licenses overlapped) strips also came from Europe. ACORN GREEN was a toy line that also had it's own Eco-themed comic from the British Bullpen. POPPLES, CARE BEARS and MADBALLS all had Star Comics in the States. MY PET MONSTER was another toy tie-in which spawned an animated series (and straight-to-tape movie).
Monday, 2 February 2015
1988: THE ACTION ADVENTURE COLLECTION HASBRO VHS (Tempo)
From 1988: Three of Hasbro's Eighties multi-media franchises on one tape: ACTION FORCE (rebadged episodes of G.I. JOE), TRANSFORMERS and INHUMANOIDS.
All three of which would also have been familiar to anyone who was buying MARVEL UK's weeklies. Indeed, regular readers of Transformers saw both the other series rotate through the back-up slot.
Thursday, 2 October 2014
1986: FAILED UNIVERSE (Blackthorne Publishing)
Welcome to: THE FAILED UNIVERSE!
This spoof of Marvel's new-fangled, and ill-fated, NEW UNIVERSE was published by Blackthorne (purveyors of multiple 3D and how-to-draw type comics) in December 1986.
The pages above are a smattering of the contents and not the full issue.
There were initially eight books in Jim Shooter's NEW UNIVERSE ("the world outside your window") line (latterly reduced as the dead weight was ditched and - eventually - shuttered all together) which was intended to celebrate the 25th anniversary of the Marvel Universe by launching another one.
Of the eight, only two of the strips popped-up in the MARVEL UK books: Shooter's own STAR BRAND (one of the better books in a highly variable line) was briefly given the third-feature slot in SPIDER-MAN AND ZOIDS (no single story hung onto the slot for long, six strips appeared in only 51 issues), possibly to ensure their boss remained enamoured to the London operation.
THE TRANSFORMERS, perennially in search of giant robot-related back-up strips (until ACTION FORCE and THE VISIONARIES became the default second-feaure), dabbled with SPITFIRE AND THE TROUBLESHOOTERS for a while.
For some reason, M-UK passed on KICKERS INC. I can't imagine why...
What makes this, for me, even more amusing is that my local comic store (naming no names) drastically (and inexplicably) over-ordered on this one and they had tons of copies which, unfortunately for them, never seemed to shift. Every week I'd pop it for my weekly pocket money-powered fix of geeky things… and every week the shelf would have (pretty much) the same number of copies sitting there. This earned the comic the unfortunate moniker 'FAILED Failed Universe'.
It became a waiting game to see how long it would be before the store owner conceded defeat and shifted the unsold stack to the bargain boxes (25p in those far away days) and - sure enough - it was reduced!
Wednesday, 7 August 2013
1986: LEGO TRANSFORMERS IN EAGLE (IPC)
It's funny what sticks in the mind: although I've forgotten much of the EAGLE in the intervening decades, I distinctly recalled these reader-submitted Lego TRANSFORMERS (from the issue dated 3 May 1986). At the time, I remember myself and school friends mocking Max's inability to identify Soundwave, the absolute coolest of the Decepticons. With the benefit of hindsight, maybe this was actually a subtle dig at Marvel UK and their Soundwaves letters page... hosted by you-know-who....
Wednesday, 17 July 2013
1986: EAGLE FEBRUARY COVER GALLERY (IPC)
Ever felt like you're being eased out of something? THE TIGER must have started to have a few suspicions in February 1986 when the EAGLE masthead was suddenly redesigned, significantly reducing Tiger's logo in the process. The coming together of equals was starting to look like just another merger.
The cover of issue 204 was pretty shameless. Not only does the colouring of the "rogue robots" text look suspiciously like the logo of a well known giant robot toy line (whose comics license resided elsewhere) but Dan's nemesis is obviously one of the ROBO-MACHINES. Shame. Shame. Shame.
Issue 205 featured a free cardboard boomerang which - if my memory serves - was fairly useless.
The cover of issue 204 was pretty shameless. Not only does the colouring of the "rogue robots" text look suspiciously like the logo of a well known giant robot toy line (whose comics license resided elsewhere) but Dan's nemesis is obviously one of the ROBO-MACHINES. Shame. Shame. Shame.
Issue 205 featured a free cardboard boomerang which - if my memory serves - was fairly useless.
- TO BE CONTINUED -
Tuesday, 16 July 2013
2013: STARLOGGED CLASSIC COMICS REPRINTS
I don't usually cover reissues of material from the STARLOGGED era, partly because it's so hard (and expensive) to keep track of them all. However, the last two weeks have seen a sudden wave of reprints of great comic strips from our time so it felt like it was being remiss of me NOT to tip you off.
It has to be said that some of these have been a long-time-coming and there were times when I assumed that the project had been quietly cancelled. However, I can confirm that everyone of these REALLY do exist. Right now. In the real world.
It has to be said that some of these have been a long-time-coming and there were times when I assumed that the project had been quietly cancelled. However, I can confirm that everyone of these REALLY do exist. Right now. In the real world.
BUCK ROGERS IN THE 25th CENTURY: THE WESTERN PUBLISHING YEARS (V1)
British readers will most likely recognise these strips, based on the late seventies spandex-fest, from the three BUCK annuals published between 1980 and 1983 (cover-dated 1981-84 as is the fashion). They're not great strips but they are a bit of nostalgic fun.
Things kick-off with a serviceable three-part adaptation of Buck's opening episode/ movie which - I think - is previously unseen in the UK. In the states, it appeared in the first issues of the regular BR book (which - bizarrely - kicked-off with issue 2 because of a decades earlier (1964!) one-shot, which is also included here) and in a tabloid one-shot which - for reasons lost to time - appeared with a Marvel Comics masthead even through it was one of the few SF franchises of the period that the House of Ideas couldn't grab.
The adaptation itself is a bit hit-and-miss and was probably produced (in haste) whilst the opener was still shooting. The artwork is basic and it looks like references were limited. The cast do (pretty much) look like their screen equivalents (frankly rare in this type of book) and the Earth Starfighters resemble their screen equivalents. The Draconian Marauders and Ranger III, however, definitely do not and the artist seems to have reverted to some stock decades-old designs instead. Twiki is present-and-correct although they don't appear to have settled on the familiar biddi-biddi sound effect. The nob-headed 'bot also looks pretty off-model at times. Predictably, Draco gets more panel-time here than he does on screen because the character was pretty-much chopped from the final edit.
I'm still reading the first of the original adventures that followed the adaptation but it's interesting to note - after a casual flick - that the creative team seem to have focused on return visits to "Old" Chicago (you can't blame them, in many ways they were the most memorable scenes from the movie), aka Anarchia, which is something the TV team avoided all together as they felt they didn't fit with the largely fun tone of the weekly series. The show's writers felt that viewers would question why Buck was constantly gallivanting off-world when there were clearly desperate people in need of his help right outside the 'gates' of the city.
There's a few pages of background information, movie posters, merchandise and stills but none of them can really be described as comprehensive.
This pricy hardback only reprints the first few (of sixteen) issues but it's worth the expense if you have the disposable cash. Don't expect greatness, just a bit of fun. Hopefully further volumes will complete the run and (fingers-crossed) expand the remit to include the British strips from LOOK-IN and TV TOPS.
Now... if only someone would do the same for BATTLESTAR GALACTICA.
THE INCREDIBLE HULK
FROM THE MARVEL UK VAULTS
I have to say, I was beginning to doubt that this was ever going to see the light of day as Marvel had already delayed this compilation of British strips several times AND had missed the obvious marketing opportunity of getting it into stores to coincide with last summer's AVENGERS movie. Nevertheless, here it is. And it's most welcome.
Marvel have done a good job with this compilation of the strips from HULK COMIC, supplemented with the original material from the contemporary annuals as well as the one-off Hulk strip from SMASH (which, as I've speculated in the past, is not only the first original British Marvel strip but - quite possibly - the first EVER overseas Marvel strip created anywhere).
The strips from the weekly were - of course - originally published in black & white... and that's how they appear here even through a few were coloured for US publication back-in-the-day. The material from the annuals appears - as first published - in colour.
They've also done a really nice job compiling a good selection of covers (including the short-lived second weekly volume), pin-ups, free gifts and miscellaneous artwork. This was a really welcome surprise although its not truely comprehensive as - if they'd have wanted to include EVERYTHING - they would have had to include most of the covers from the original incarnation of THE MIGHTY WORLD OF MARVEL as well as various covers from SPIDER-MAN's weekly where the Hulk shared a cover appearance.
I would also have liked to have seen a little more context - by way of a background interview or article - about the genesis and development of these British strips as well as the Hulk's UK hero history. Ironically, I've done something similar in the past and you can find that here.
It's obviously outside the brief of the book but I'd also have liked to have seen Marvel take the opportunity to reprint Spider-man's four-part excursion to London and Birmingham at long last. You can find more here. And, of course, there was also the webslinger's never-reprinted excursion to Camden Lock. Which you'll find here.
By Marvel trade paperback standards, this is a really nice package and they should be commended for not only publishing it at all but also going the extra mile with the contents.
MARVEL SUPER HEROES SECRET WARS PART TWO
THE ULTIMATE GRAPHIC NOVELS COLLECTION
Readers outside the UK may be perplexed by this rather stylish hardback. For over a year now, we've been seeing a new Marvel book in the series published every fortnight. Each one reprints a different classic story in the trade paperback tradition although most are drawn from the modern era with only the occasional excursion - like this one - as far back as the eighties.
Part-works (as these things are called) are a great tradition of British (and - I guess - European) magazine publishing and have been around for decades. Some feature figurines or models (there have been series with Marvel and DC characters and chess pieces or STAR WARS or BATMAN vehicles in recent years and DOCTOR WHO and STAR TREK are imminant), a model kit (HMS Victory!) issued, one piece at a time, over a painfully long period (and there is always the risk that the venture will be abandoned long before the final piece is released), a DVD collection (which is - invariable - more expensive than just buying the box set) or some form of reference work (there's a nice Marvel one appearing weekly at the moment and - in the past - there's been Star Trek and Star Wars).
They always follow the same formula. A cheap first issue, accompanied by TV advertising, followed by the first six (or so) sold in newsagents. Then they go off general sale and collectors either have to specifically order them from the retailer or direct from the publisher. This means some series can still be appearing years after you've forgotten about them. Geek-friendly series tend to be stocked by retailers like Forbidden Planet here in London which makes it much easier to keep collecting and find any back issues you might have inadvertently missed.
This particular issue, which went on sale around a month ago (there has been at least one more issue since) wraps-up the first SECRET WARS series with reprints of issues 7-12 (which was a double-sized wrap-up). The first half of the series appeared in a previous volume which - thanks to the publishing formula of the partwork - appeared months ago.
There's also some nice behind-the-scenes text pieces which - I think - first appeared in the most recent US trade paperback reprint. Because these books are not only sold in the UK there's no mention of the original Marvel UK series.
STAR WARS OMNIBUS: WILD SPACE
It's not immediately obvious from the cover (or the title) but this latest addition to the weighty Dark Horse omnibus series FINALLY reprints all the 'extra' Star Wars strips - produced on both sides of the Atlantic - for the British comics. Yup, that's right, it's taken an unbelievable thirty-plus years to put all the strips in the same place at the same time. Better late than never!
Some of the strips produced for STAR WARS WEEKLY have never been reprinted before and others - like the British "Devilworlds" strips (see here) - haven't seen a reprint in decades, despite boasting early work by Alan Moore.
Some of these strips, originally published in black & white, were subsequently coloured for their US publication in places like Marvel's PIZZAZZ MAGAZINE (see here) of the aforementioned Dark Horse reprints and where that's happened, Dark Horse have favoured the colour versions. Where no such edition exists, the original black & white versions are used.
Dark Horse have also made a cursory effort to reprint the relevant cover artwork from STAR WARS WEEKLY (albeit with the Marvel masthead removed) but - of course - this conveniently forgets that new covers (as well as splash pages and story-so-far summaries) appeared exclusively in the UK throughout the lifetime of the comic, not just in the issues in this compilation.
There's also no attempt to put these reprints in context with background material. That's a real missed opportunity, not only to explain why these even exist but to go some way to explain the creative process behind them. If Dark Horse want to do this right, they only need to look below.
This hefty volume also includes the three issue STAR WARS 3D series published by Blackthorne in the late 1980s, albeit with the 3D treatment removed. These were hard-to-find even when published (remember: no-one cared about Star Wars at the time) and are also most welcome. The remainder of the strips are odds-and-sods from the DH era which are probably unfamiliar to all but the most ardent of fans.
Not perfect... but it's been a long-time-coming!
THE TRANSFORMERS CLASSICS UK - VOLUME 4
From the Marvel UK COLLECTED COMICS onwards, there's been no shortage of reprints of the British TRANSFORMERS strips from the Starlogged era. So why splash out again on YET ANOTHER collection?
Because - quite frankly - these hefty IDW volumes set the high bench mark for reprints that EVERY other publisher should attempt to match. The strips themselves are familiar enough but the copious text pages and behind-the-scenes information makes each volume invaluable. We're not just talking about brief new introductions (ala the A4 Titan Books editions of a few years ago), these are extremely detailed reviews of the entire creative process and - fascinatingly - life at the Annex of Ideas in the eighties. The publishers have also gone to great lengths to unearth supplementary pieces like editorial pages, house ads, toy promotions etc.
This fourth volume continues to the high standards of the first three editions. Strip-wise, the highlight this time is the seldom seen TRANSFORMERS/ ACTION FORCE crossover which was Marvel UK's alternative to the (pretty dire) US TF/ G.I. JOE limited series (which only reached the pages of the UK comic at the arse-end of its run when - frankly - no-one really cared anymore). The strip, which ran across both weeklies, hasn't been seen since it was reprinted (in the late eighties) in ACTION FORCE MONTHLY (aka G.I. JOE EUROPEAN MISSIONS stateside) so - although it's not really much cop - it's great to finally see it in print again. The crossover was intended to bolster the lacklustre sales of the British version of the Joes... which obviously didn't work as the weekly wrapped-up within a year.
These books - even for casual fans of the Robots in Disguise - are unmissable.
Monday, 8 July 2013
1978: SHOGUN WARRIORS COVER GALLERY - PART ONE (Marvel)
The imminent arrival of PACIFIC RIM in British cinemas (and The Asylum's shameless - but watchable - mockbuster knock-off ATLANTIC RIM has been out for a couple of weeks) got me thinking about another giant mechanicals versus monsters format: SHOGUN WARRIORS, as published by Marvel in 1978-79.
The book was an early example of a Marvel Japanese toy tie-in and paved the way for the vastly superior THE TRANSFORMERS some five or so years later.
The Warriors, now often found in bargain back issue boxes, was firmly pitched at the younger end of the market and, like GODZILLA, was obviously seen by Marvel as a potential entry-level book into the wider Marvel Universe. The early issues of THE TRANSFORMERS, like its seventies predecessors, also featured appearances by mainstream Marvel characters.
These strips never formed part of the Marvel UK line-up. It's possible they got lost in the shuffle around Dez Skinn's arrival and the beginnings of the Marvel revolution but, as the warriors seemed a good fit for either STAR WARS WEEKLY or MARVEL COMIC, its more likely that Marvel's licensing deal prevented international reprints.
The title ran for twenty issues before succumbing to poor sales. I'll post the 1979 cover-dated editions soon.
The book was an early example of a Marvel Japanese toy tie-in and paved the way for the vastly superior THE TRANSFORMERS some five or so years later.
The Warriors, now often found in bargain back issue boxes, was firmly pitched at the younger end of the market and, like GODZILLA, was obviously seen by Marvel as a potential entry-level book into the wider Marvel Universe. The early issues of THE TRANSFORMERS, like its seventies predecessors, also featured appearances by mainstream Marvel characters.
These strips never formed part of the Marvel UK line-up. It's possible they got lost in the shuffle around Dez Skinn's arrival and the beginnings of the Marvel revolution but, as the warriors seemed a good fit for either STAR WARS WEEKLY or MARVEL COMIC, its more likely that Marvel's licensing deal prevented international reprints.
The title ran for twenty issues before succumbing to poor sales. I'll post the 1979 cover-dated editions soon.
February 1978
March 1978
April 1978
May 1978
June 1978
July 1978
August 1978
September 1978
October 1978
November 1978
December 1978
- TO BE CONTINUED -
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